{"id":108309,"date":"2022-07-22T18:42:48","date_gmt":"2022-07-22T16:42:48","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=108309"},"modified":"2022-07-22T22:58:55","modified_gmt":"2022-07-22T20:58:55","slug":"mostre-a-venezia-kehinde-wiley","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=108309","title":{"rendered":"Mostre a Venezia &#8211; Kehinde Wiley"},"content":{"rendered":"<h1>An Archaeology of Silence<\/h1>\n<p style=\"text-align: justify;\">Kehinde Wiley<\/p>\n<p style=\"text-align: justify;\">\u00a0Wiley mette in luce la brutalit\u00e0 del passato coloniale, americano e globale, usando il linguaggio figurativo dell\u2019eroe caduto.<\/p>\n<p style=\"text-align: justify;\">Sino al 24 luglio 2022<\/p>\n<p style=\"text-align: justify;\">Fondazione Giorgio Cini &#8211; Isola di San Giorgio &#8211; Venezia<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Kehinde Wiley (Los Angeles 1977) declina il tema dell&#8217;eroe caduto, attraverso una serie di ritratti con lo scopo di denunciare le violenze razziali.<\/p>\n<p style=\"text-align: justify;\">La mostra\u00a0<em>Kehinde Wiley: An Archaeology of Silence<\/em>, a cura di Christophe Leribault,\u00a0 \u00e8 in collaborazione con la Fondazione Giorgio Cini ed \u00e8 Evento collaterale\u00a0 della 59a Esposizione Internazionale d\u2019Arte\u00a0della Biennale di Venezia, organizzata dal Mus\u00e9e d\u2019Orsay, Paris e con il supporto della galleria TEMPLON.<\/p>\n<p>___<\/p>\n<div class=\"wDYxhc\" lang=\"it-IT\" data-md=\"50\" data-hveid=\"CDEQAA\" data-ved=\"2ahUKEwjG1IC9jYr5AhULQPEDHddKBlkQkCl6BAgxEAA\">\n<div class=\"PZPZlf hb8SAc\" data-attrid=\"description\" data-hveid=\"CDEQAQ\" data-ved=\"2ahUKEwjG1IC9jYr5AhULQPEDHddKBlkQziAoAHoECDEQAQ\">\n<div>\n<div class=\"kno-rdesc\" style=\"text-align: justify;\">Kehinde Wiley ( <span class=\"w8qArf\">\u00a0Los Angeles <\/span><span class=\"LrzXr kno-fv wHYlTd z8gr9e\">28 febbraio 1977 ) <\/span>\u00e8 un pittore statunitense, noto per i suoi ritratti di persone nere contemporanee\u00a0 in pose eroiche, derivate dall&#8217;arte antica<span class=\"LrzXr kno-fv wHYlTd z8gr9e\">.<\/span><\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>An Archaeology of Silence Kehinde Wiley \u00a0Wiley mette in luce la brutalit\u00e0 del passato coloniale, americano e globale, usando il linguaggio figurativo dell\u2019eroe caduto. Sino<\/p>\n","protected":false},"author":1,"featured_media":108316,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,14,15,9411,358,15896],"tags":[25274],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/108309"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=108309"}],"version-history":[{"count":8,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/108309\/revisions"}],"predecessor-version":[{"id":108326,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/108309\/revisions\/108326"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/108316"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=108309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=108309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=108309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}