www.fondazionenicolatrussardi.com<\/strong><\/a><\/p>\nFONDAZIONE NICOLA TRUSSARDI
\npresents<\/p>\n
NARI WARD
\nGilded Darkness<\/p>\n
curated by Massimiliano Gioni<\/p>\n
September 12\u2013October 16, 2022
\nCentro Balneare Romano \u2013 Milanosport
\nVia Amp\u00e8re 20 \u2013 Milan
\nEvery day from 12pm to 8pm
\nFree admission<\/p>\n
Press preview and opening: September 12, 2022<\/p>\n
Centro Balneare Romano – Milanosport, Milan \/ Ph. Marco De Scalzi<\/p>\n
From September 12 to October 16, 2022, Fondazione Nicola Trussardi presents a new project created especially for the city of Milan: Gilded Darkness by American artist Nari Ward (b. St. Andrew, Jamaica, 1963; lives and works in New York). In the outdoor and indoor spaces of the Centro Balneare Romano, in the Citt\u00e0 Studi neighborhood, Ward\u2019s exhibition will bring together new works created specifically for the occasion, alongside some of his most renowned installations and environmental interventions.<\/p>\n
After presenting Ragnar Kjartansson\u2019s The Sky in a Room at the church of San Carlo al Lazzaretto in the fall of 2020, and following the establishment of the Fondazione Beatrice Trussardi in 2021, which brings the Fondazione Nicola Trussardi\u2019s nomadic model to an international stage, President Beatrice Trussardi and Artistic Director Massimiliano Gioni have now decided to return to the city of Milan with a new project, once again in dialogue with the most pressing issues of our time.<\/p>\n
Known for his sculptures and installations often made with recycled materials, Ward has contributed to imagining contemporary art and culture as global, polyphonic experiences since the early 1990s.<\/p>\n
Of Jamaican descent, Ward moved to New York with his family at a young age, and after studying art he settled in Harlem. Struck by the proliferation of abandoned objects in his neighborhood, Ward began collecting and charging them with new meanings. The manipulation of these materials\u2014including children\u2019s strollers, shopping carts, umbrellas, shoelaces, as well as other found items and urban waste\u2014gave rise to monumental installations, which have transformed the language of contemporary sculpture into a new type of theatrical experience.<\/p>\n
The exhibition at the Centro Balneare Romano opens with one of his best-known works, Amazing Grace\u2014produced during his residency in 1993 at the Studio Museum in Harlem: for this large-scale installation, Ward collected more than three hundred abandoned strollers, which he then arranged in the form of a ship\u2019s hull. The installation is accompanied by the voice of gospel singer and African American activist Mahalia Jackson, who sings the poignant \u201cAmazing Grace\u201d.
\nInstalled in the rarely accessible spaces of the old locker rooms at the Romano Pool, the work is endowed with new meanings. It is not only an anti-monument, and references recent images of strollers left at stations on the Ukrainian border after refugees have fled the conflict, but also embraces and envelops viewers in a melancholy, poignant atmosphere.<\/p>\n
Alongside Amazing Grace, Ward will present a series of works that focuses on many of the themes underpinning his research. These include: the dialogue between cultures, art as a space of encounter and exchange, shaping identities at the crossroads between different languages and traditions, and, in particular, reflecting on the function of monuments at a time marked by the continual revision of history and the numerous collapses and repeated crises defining these past few years.<\/p>\n
Gilded Darkness will occupy the spaces of the Centro Balneare Romano with both physical and intangible traces. This municipal summer bathing center\u2014designed by architect Luigi Secchi during the Fascist period, inaugurated in 1929, and dedicated to the memory of the young Olympic champion Guido Romano, who died at the front during World War I\u2014tells of ideals of victory and greatness, war and athleticism, and nationalism and imperialism. Ward responds to these concepts with precarious monuments and objects that embody stories of small, everyday heroism, episodes of collective joy, as well as images of the defeat and downfall of the triumphant myths shaping the twentieth century.<\/p>\n
At the heart of the exhibition is a series of new, ambitious commissions. Emergence Pool is a site-specific intervention in the swimming pool itself\u2014a rectangular pool of some four thousand square meters, almost the size of a soccer field\u2014which is transformed into a gigantic golden expanse: a fragile raft made up of thousands of floating thermal blankets.<\/p>\n
Not far away, a huge white flag hoisted on a crane evokes images of nationalism, violence, and defeat, while sounds and musical compositions made in collaboration with various groups and individuals living in Milan are broadcast from the loudspeakers of Battleground Beacon. These soundscapes describe the city as a polyphonic mix of voices and sounds from a multiplicity of cultures and languages.<\/p>\n
Ward\u2019s Gilded Darkness is part of a series of major exhibition projects carried out since 2003 by the Nicola Trussardi Foundation. Public artworks, temporary exhibitions, incursions, performances, and pop-up interventions have brought renowned international artists to Milan, including Pawe\u0142 Althamer, Allora & Calzadilla, Maurizio Cattelan, Tacita Dean, Jeremy Deller, Elmgreen & Dragset, Urs Fischer, Fischli & Weiss, Gelitin, Ragnar Kjartansson, Sarah Lucas, Ibrahim Mahama, Paul McCarthy, Paola Pivi, Pipilotti Rist, Anri Sala, Tino Sehgal, and Stan VanDerBeek, among many others.<\/p>\n
The Nicola Trussardi Foundation is a private nonprofit institution, a nomadic museum for the production and promotion of contemporary art in multiple contexts and through a variety of channels, founded in Milan in 1996. Its activities are made possible thanks to the generosity of its founding members and \u201cIl Cerchio\u201d of the Fondazione Nicola Trussardi, a group of supporters who contribute to its projects.<\/p>\n
Ward\u2019s Gilded Darkness continues the path adopted by the Foundation in 2003 to bring contemporary art to the heart of Milan\u2014rediscovering and enhancing forgotten, unusual places while reinventing urban spaces thanks to the energies of today\u2019s most engaging artists.<\/p>\n
Gilded Darkness is conceived and produced by the Fondazione Nicola Trussardi and made possible thanks to the collaboration of Milanosport.
\nThanks to Assimpredil Ance Milano for supporting the exhibition.
\nMedia Partner: Sky Arte.<\/p>\n
Nari Ward<\/p>\n
Born in St. Andrew, Jamaica, in 1963, Nari Ward is one of the best-known contemporary artists of his generation.
\nSince the 1990s, his work has been exhibited at major international festivals\u2014from the Venice Biennale (1993) and the Whitney Biennial in New York (1995) to Documenta XI in Kassel (2002)\u2014and may be found in the collections of major international institutions, including: the Studio Museum in Harlem; Brooklyn Museum; Museum of Modern Art, New York; Whitney Museum of American Art; New York Public Library; Smithsonian American Art Museum, Washington, DC; ICA Boston; Museum of Contemporary Art, Los Angeles; Walker Art Center, Minneapolis, MN; GAM, Turin; and the Istanbul Modern.
\nHe has also received numerous awards and honors, including a United States Artists Fellowship (Chicago, 2020); the Vilcek Prize, Vilcek Foundation (New York, 2017); the Joyce Award, Joyce Foundation (Chicago, 2015); the Rome Prize, American Academy in Rome (2012); as well as awards from the American Academy of Arts and Letters (1998), the Pollock-Krasner Foundation (1996), and the National Endowment for the Arts (1994). Furthermore, he has received various prestigious commissions from the United Nations and the World Health Organization<\/p>\n","protected":false},"excerpt":{"rendered":"
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