{"id":124527,"date":"2023-10-02T19:07:42","date_gmt":"2023-10-02T17:07:42","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=124527"},"modified":"2023-10-04T15:00:12","modified_gmt":"2023-10-04T13:00:12","slug":"mostre-a-londra-capturing-the-moment-tate-modern","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=124527","title":{"rendered":"Mostre a Londra &#8211; Capturing the moment &#8211; Tate Modern"},"content":{"rendered":"<p>Capturing the moment &#8211; Catturare il momento<\/p>\n<p>Sino al 28 gennaio 2024<\/p>\n<p>Tate Modern &#8211; Londra<\/p>\n<p>&nbsp;<\/p>\n<div class=\"content__standfirst\">\n<p data-block-key=\"wg0tp\"><strong>L&#8217;avvento della fotografia ha cambiato per sempre l&#8217;essenza della pittura<\/strong><\/p>\n<p data-block-key=\"wg0tp\">Fotografi che fanno gli artisti e artisti che usano la fotografia per le loro opere.<\/p>\n<\/div>\n<div class=\"content__body-text\">\n<div class=\"event-outer container\">\n<div class=\"event-inner container__inner\">\n<div class=\"block-rich_text\">\n<p style=\"text-align: justify;\" data-block-key=\"eh4up\">Questa mostra esplora i confini<span style=\"font-size: 1.0625rem;\">\u00a0tra <\/span><strong style=\"font-size: 1.0625rem;\">fotografia e\u00a0 pittura con alcune delle opere d&#8217;arte pi\u00f9 iconiche degli ultimi tempi.<\/strong><\/p>\n<p style=\"text-align: justify;\" data-block-key=\"82uss\"><strong>Gli stessi artisti hanno sfumato i confini tra pittura e fotografia<\/strong>, creando quella che fu <strong>la Pop Art che ancora influenza, nel bene\u00a0 e nel male,\u00a0 quasi tutta l&#8217;arte contemporanea che \u00e8 in vetta alle vendite.<\/strong><\/p>\n<\/div>\n<div class=\"block-image_gallery\" style=\"text-align: justify;\">\n<div class=\"article-media article-media--slideshow img-display__slideshow\">\n<div class=\"slideshow--slides slick-initialized slick-slider\">\n<div class=\"slick-list draggable\">\n<div class=\"slick-track\">\n<div class=\"article-media__block slick-slide slick-current slick-active\" tabindex=\"0\" data-slick-index=\"0\" aria-hidden=\"false\">\n<figure class=\"article-media__figure\"><picture><source srcset=\" https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with_.width-340.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with_.width-420.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with_.width-200.jpg 200w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with_.width-340.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with_.width-420.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with_.width-540.jpg 540w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with_.width-840.jpg 840w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with.width-1200.jpg 901w, \" sizes=\" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 200px, (max-width: 840px) 340px, (max-width: 1024px) 420px, (max-width: 1200px) 540px, (max-width: 1420px) 840px, 1200px, \" \/><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/David_Hockney_Portrait_of_an_Artist_Pool_with_.width-340.jpg\" alt=\"\" width=\"340\" height=\"239\" \/><\/picture><figcaption class=\"image__caption\">\n<p data-block-key=\"ml9we\">David Hockney\u00a0<i>Ritratto di un artista (piscina con due figure)<\/i>\u00a01972 Collezione della Fondazione YAGEO, Taiwan \u00a9 David Hockney<\/p>\n<\/figcaption><\/figure>\n<\/div>\n<div class=\"article-media__block slick-slide\" tabindex=\"-1\" data-slick-index=\"1\" aria-hidden=\"true\">\n<figure class=\"article-media__figure\"><picture><source srcset=\" https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-340.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-420.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-200.jpg 200w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-340.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-420.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-540.jpg 540w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-840.jpg 840w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-1200.jpg 1200w, \" sizes=\" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 200px, (max-width: 840px) 340px, (max-width: 1024px) 420px, (max-width: 1200px) 540px, (max-width: 1420px) 840px, 1200px, \" \/><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Splash_678-media_1_1_1_Georgina_Ramkoleea.width-340.jpg\" alt=\"Una fotografia del dipinto Splash dell'artista Roy Lichtenstein, dell'artista Louise Lawler.\" width=\"340\" height=\"425\" \/><\/picture><figcaption class=\"image__caption\">\n<p data-block-key=\"m35ne\">Louise Lawler\u00a0<i>Splash<\/i>\u00a02006, stampato nel 2012 Tate Acquistato con l&#8217;assistenza della famiglia Karpidas (Tate Americas Foundation) 2013, aggiunto nel 2021 \u00a9 Louise Lawler<\/p>\n<\/figcaption><\/figure>\n<\/div>\n<div class=\"article-media__block slick-slide\" tabindex=\"-1\" data-slick-index=\"2\" aria-hidden=\"true\">\n<figure class=\"article-media__figure\"><picture><source srcset=\" https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-340.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-420.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-200.jpg 200w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-340.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-420.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-540.jpg 540w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-840.jpg 840w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-1200.jpg 1200w, \" sizes=\" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 200px, (max-width: 840px) 340px, (max-width: 1024px) 420px, (max-width: 1200px) 540px, (max-width: 1420px) 840px, 1200px, \" \/><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/dorothealangemigrantmother1936.width-340.jpg\" alt=\"Dorothea Lange, Madre migrante, 1936 Collezione fotografica Sir Elton John\" width=\"340\" height=\"448\" \/><\/picture><figcaption class=\"image__caption\">\n<p data-block-key=\"yypfr\">Dorothea Lange\u00a0<i>Migrant Mother, Nipomo, California<\/i>\u00a01936, stampato intorno al 1950 alla Tate Accettato dal governo britannico al posto dell&#8217;imposta di successione dalla tenuta di Barbara Lloyd e assegnato alla Tate nel 2009<\/p>\n<\/figcaption><\/figure>\n<\/div>\n<div class=\"article-media__block slick-slide\" tabindex=\"-1\" data-slick-index=\"3\" aria-hidden=\"true\">\n<figure class=\"article-media__figure\"><picture><source srcset=\" https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-340_5UpcARv.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-420_7oMBp1d.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-200_OHg0OJR.jpg 200w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-340_5UpcARv.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-420_7oMBp1d.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-540_ruB2yiT.jpg 540w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-840_bfI8nOp.jpg 840w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-1200_DevKvwv.jpg 1200w, \" sizes=\" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 200px, (max-width: 840px) 340px, (max-width: 1024px) 420px, (max-width: 1200px) 540px, (max-width: 1420px) 840px, 1200px, \" \/><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/.width-340_5UpcARv.jpg\" alt=\"\" width=\"340\" height=\"296\" \/><\/picture><figcaption class=\"image__caption\">\n<p class=\"image__caption__piece\">Alice Neel<br \/>\n<em><a tabindex=\"-1\" href=\"https:\/\/www.tate.org.uk\/art\/artworks\/neel-puerto-rican-boys-on-108th-street-t11922\">Ragazzi portoricani sulla 108esima strada<\/a><\/em>\u00a0(1955)<br \/>\nTate<\/p>\n<p class=\"image__caption__copyright\"><a id=\"master-image-copyright\" tabindex=\"-1\" href=\"https:\/\/www.tate.org.uk\/about-us\/policies-and-procedures\/website-terms-use\">\u00a9 La tenuta di Alice Neel<\/a><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<div class=\"article-media__block slick-slide\" tabindex=\"-1\" data-slick-index=\"5\" aria-hidden=\"true\"><\/div>\n<div class=\"article-media__block slick-slide\" tabindex=\"-1\" data-slick-index=\"6\" aria-hidden=\"true\">\n<figure class=\"article-media__figure\"><picture><source srcset=\" https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundati.width-340.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundati.width-420.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundati.width-200_ozsEAkN.jpg 200w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundati.width-340.jpg 340w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundati.width-420.jpg 420w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundati.width-540_tylNt1D.jpg 540w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundati.width-840.jpg 840w, https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundat.width-1200_kppumet.jpg 1200w, \" sizes=\" (max-width: 340px) 340px, (max-width: 479px) 420px, (max-width: 540px) 200px, (max-width: 840px) 340px, (max-width: 1024px) 420px, (max-width: 1200px) 540px, (max-width: 1420px) 840px, 1200px, \" \/><img decoding=\"async\" loading=\"lazy\" src=\"https:\/\/media.tate.org.uk\/aztate-prd-ew-dg-wgtail-st1-ctr-data\/images\/Andreas_Gursky_May_Day_IV_2000._Yageo_Foundati.width-340.jpg\" alt=\"\" width=\"340\" height=\"114\" \/><\/picture><figcaption class=\"image__caption\">\n<p data-block-key=\"l0h7x\">Andreas Gursky, Primo Maggio IV, 2000. Fondazione Yageo, Taiwan.\u00a0\u00a9 Andreas Gursky Per gentile concessione di Spr\u00fcth Magers Berlino Londra DACS 2023<\/p>\n<p data-block-key=\"7surl\">\n<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div class=\"block-accordion\">\n<div class=\"accordion__container\" data-accordion=\"\">\n<div class=\"accordion\">\n<div class=\"accordion__item accordion--rendered\">\n<h2 id=\"exhibition-guide\" class=\"accordion__header\" style=\"text-align: justify;\"><\/h2>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Capturing the moment &#8211; Catturare il momento Sino al 28 gennaio 2024 Tate Modern &#8211; Londra &nbsp; L&#8217;avvento della fotografia ha cambiato per sempre l&#8217;essenza<\/p>\n","protected":false},"author":1,"featured_media":124530,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,14,15,358],"tags":[28079],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/124527"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=124527"}],"version-history":[{"count":3,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/124527\/revisions"}],"predecessor-version":[{"id":124531,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/124527\/revisions\/124531"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/124530"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=124527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=124527"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=124527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}