{"id":132493,"date":"2024-05-05T18:37:35","date_gmt":"2024-05-05T16:37:35","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=132493"},"modified":"2024-05-06T18:42:27","modified_gmt":"2024-05-06T16:42:27","slug":"mostre-a-londra-yinka-shonibare-serpentine-galleries","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=132493","title":{"rendered":"Mostre a Londra &#8211; Yinka Shonibare &#8211; serpentine galleries"},"content":{"rendered":"<div class=\"heading block block--heading \">\n<p style=\"text-align: justify;\">Una mostra da non perdere; per la <strong>grande attualit\u00e0 del tema trattato<\/strong> e perch\u00e9 Serpentine Gallery \u00e8 sempre una garanzia.<\/p>\n<h3 class=\"heading__title\">Yinka Shonibare CBE: Stati sospesi<\/h3>\n<\/div>\n<div class=\"text-block block block--text-block \">\n<div class=\"editor editor--standard editor--legibility\">\n<figure id=\"attachment_132495\" aria-describedby=\"caption-attachment-132495\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2024\/05\/Mostre-12-Lond-Serpentin-.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-132495\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2024\/05\/Mostre-12-Lond-Serpentin--300x169.jpg\" alt=\"\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2024\/05\/Mostre-12-Lond-Serpentin--300x169.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2024\/05\/Mostre-12-Lond-Serpentin--1024x576.jpg 1024w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2024\/05\/Mostre-12-Lond-Serpentin--768x432.jpg 768w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2024\/05\/Mostre-12-Lond-Serpentin--533x300.jpg 533w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2024\/05\/Mostre-12-Lond-Serpentin-.jpg 1200w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-132495\" class=\"wp-caption-text\"><span style=\"font-size: 1.0625rem;\">FOTO: Yinka Shonibare CBE, Strutture decolonizzate, 2022-23. Sculture in vetroresina, dipinte a mano con disegno a cera olandese, foglia oro e plinti in legno. Concessione dell&#8217;artista e della Goodman Gallery, Cape Town, Johannesburg, Londra e New York, James Cohan Gallery, New York e Stephen Friedman Gallery, Londra e New York. Fotografo: Stephen White &amp; Co. \u00a9 Yinka Shonibare CBE<\/span><\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><span class=\"TextRun SCXW201315949 BCX0\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun CommentStart SCXW201315949 BCX0\">\u201c\u00a0<\/span><\/span><em><span class=\"TextRun SCXW201315949 BCX0\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW201315949 BCX0\">Gli Stati Sospesi<\/span><\/span><\/em><span class=\"TextRun SCXW201315949 BCX0\" lang=\"EN-GB\" xml:lang=\"EN-GB\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW201315949 BCX0\">\u00a0<strong>affronta la sospensione dei confini, siano essi psicologici, fisici o geografici<\/strong>: tutti i confini della nazione sono in uno stato di suspense. Questa \u00e8 una mostra in cui <strong>l\u2019iconografia occidentale viene ripensata e interrogata,<\/strong> in un momento storico in cui il <strong>nazionalismo, il protezionismo e l\u2019ostilit\u00e0 verso gli stranieri sono in aumento<\/strong>\u201d.\u00a0<\/span><span class=\"NormalTextRun SCXW201315949 BCX0\">\u2013 Yinka\u00a0<\/span><span class=\"NormalTextRun SpellingErrorV2Themed SCXW201315949 BCX0\">Shonibare\u00a0<\/span><span class=\"NormalTextRun SCXW201315949 BCX0\">CBE.<\/span><\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">Per oltre 30 anni,\u00a0<strong>Yinka Shonibare CBE<\/strong> si \u00e8 occupata di <strong>analizzare la storia dell\u2019arte e la letteratura occidentale per esplorare la cultura contemporanea<\/strong> e le identit\u00e0 nazionali. <\/span><\/p>\n<p style=\"text-align: justify;\"><i><span data-contrast=\"auto\">Suspended States<\/span><\/i><span data-contrast=\"auto\">\u00a0\u00e8 la <strong>prima mostra personale dell&#8217;artista a Londra in oltre 20 anni.<\/strong> <\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">Temi che l&#8217;artista sviluppa sono:\u00a0 i luoghi di rifugio, dibattiti sulle statue pubbliche, l<strong>\u2019impatto ecologico della colonializzazione e<\/strong> l\u2019<strong>eredit\u00e0 dell\u2019imperialismo.<\/strong><\/span><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"auto\">Presenti anche due nuove grandi installazioni al Serpentine South. <\/span><i><span data-contrast=\"auto\">Sanctuary City<\/span><\/i><span data-contrast=\"auto\"> (2024):\u00a0 edifici in miniatura che rappresentano luoghi di ri<\/span><span style=\"font-size: 1.0625rem;\" data-contrast=\"auto\">fugio per gruppi perseguitati e vulnerabili e <\/span><strong><i style=\"font-size: 1.0625rem;\">La Biblioteca della Guerra<\/i><\/strong><span style=\"font-size: 1.0625rem;\" data-contrast=\"auto\"><strong>\u00a0(2024) \u00e8 composta da 5.000 libri rilegati in stampa a cera olandese<\/strong> che riportano conflitti e trattati di pace.<\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Una mostra da non perdere; per la grande attualit\u00e0 del tema trattato e perch\u00e9 Serpentine Gallery \u00e8 sempre una garanzia. Yinka Shonibare CBE: Stati sospesi<\/p>\n","protected":false},"author":1,"featured_media":132496,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,14,15,358],"tags":[29886,29885],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/132493"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=132493"}],"version-history":[{"count":4,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/132493\/revisions"}],"predecessor-version":[{"id":132499,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/132493\/revisions\/132499"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/132496"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=132493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=132493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=132493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}