{"id":149459,"date":"2025-07-30T18:31:39","date_gmt":"2025-07-30T16:31:39","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=149459"},"modified":"2025-07-30T18:31:39","modified_gmt":"2025-07-30T16:31:39","slug":"mostre-a-milano-dal-25-ottobre-i-tre-grandi-di-spagna-picasso-miro-dali","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=149459","title":{"rendered":"Mostre a Milano dal 25 ottobre I Tre Grandi di Spagna: Picasso &#8211; Mir\u00f3 &#8211; Dal\u00ed"},"content":{"rendered":"<p><strong>Save the date &#8211; anteprima mostre autunno 2025<\/strong><\/p>\n<p><strong>I Tre Grandi di Spagna: Picasso, Mir\u00f3, Dal\u00ed<\/strong> | Fabbrica del Vapore, Milano | dal 25 ottobre 2025<\/p>\n<figure id=\"attachment_149469\" aria-describedby=\"caption-attachment-149469\" style=\"width: 251px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Pablo-Picasso_Retrato-de-una-dama-\u2013-Segun-Lucas-Cranach-el-Joven_Linoleografia_2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-149469\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Pablo-Picasso_Retrato-de-una-dama-\u2013-Segun-Lucas-Cranach-el-Joven_Linoleografia_2-251x300.jpg\" alt=\"\" width=\"251\" height=\"300\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Pablo-Picasso_Retrato-de-una-dama-\u2013-Segun-Lucas-Cranach-el-Joven_Linoleografia_2-251x300.jpg 251w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Pablo-Picasso_Retrato-de-una-dama-\u2013-Segun-Lucas-Cranach-el-Joven_Linoleografia_2-768x920.jpg 768w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Pablo-Picasso_Retrato-de-una-dama-\u2013-Segun-Lucas-Cranach-el-Joven_Linoleografia_2.jpg 835w\" sizes=\"(max-width: 251px) 100vw, 251px\" \/><\/a><figcaption id=\"caption-attachment-149469\" class=\"wp-caption-text\">Pablo-Picasso_Retrato-de-una-dama-\u2013-Segun-Lucas-Cranach-el-Joven_Linoleografia_<\/figcaption><\/figure>\n<article class=\"text-token-text-primary w-full focus:outline-none scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-testid=\"conversation-turn-2\" data-scroll-anchor=\"false\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[72rem]:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"edd65e26-7b85-4d3d-adcd-428650f7c37d\" data-message-model-slug=\"gpt-4o\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words light\">\n<h2 data-start=\"143\" data-end=\"195\"><strong data-start=\"146\" data-end=\"193\"> Tre Grandi di Spagna: Picasso, Mir\u00f3, Dal\u00ed<\/strong><\/h2>\n<figure id=\"attachment_149468\" aria-describedby=\"caption-attachment-149468\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Joan-Miro_Signes-et-figurations_acquarello.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-149468\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Joan-Miro_Signes-et-figurations_acquarello-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Joan-Miro_Signes-et-figurations_acquarello-300x225.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Joan-Miro_Signes-et-figurations_acquarello-768x575.jpg 768w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Joan-Miro_Signes-et-figurations_acquarello-401x300.jpg 401w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/mostra-Joan-Miro_Signes-et-figurations_acquarello.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-149468\" class=\"wp-caption-text\">Joan-Miro_Signes-et-figurations_acquarello<\/figcaption><\/figure>\n<p data-start=\"196\" data-end=\"272\"><strong data-start=\"196\" data-end=\"227\">Fabbrica del Vapore, Milano<\/strong><br data-start=\"227\" data-end=\"230\" \/><strong data-start=\"230\" data-end=\"272\">Dal 25 ottobre 2025 al 25 gennaio 2026<\/strong><\/p>\n<figure id=\"attachment_149467\" aria-describedby=\"caption-attachment-149467\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/MOSTRA-Dali-Face-of-the-Great-Masturbator-arazzo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-149467\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/MOSTRA-Dali-Face-of-the-Great-Masturbator-arazzo-300x213.jpg\" alt=\"\" width=\"300\" height=\"213\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/MOSTRA-Dali-Face-of-the-Great-Masturbator-arazzo-300x213.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/MOSTRA-Dali-Face-of-the-Great-Masturbator-arazzo-768x545.jpg 768w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/MOSTRA-Dali-Face-of-the-Great-Masturbator-arazzo-423x300.jpg 423w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/07\/MOSTRA-Dali-Face-of-the-Great-Masturbator-arazzo.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-149467\" class=\"wp-caption-text\">Dali-Face-of-the-Great-Masturbator-arazzo<\/figcaption><\/figure>\n<p style=\"text-align: justify;\" data-start=\"274\" data-end=\"639\">La mostra <em data-start=\"284\" data-end=\"335\">\u201cI Tre Grandi di Spagna: tre visioni, un\u2019eredit\u00e0\u201d<\/em>, ospitata alla Fabbrica del Vapore di Milano dal 25 ottobre 2025 al 25 gennaio 2026, racconta la nascita e l\u2019evoluzione di<\/p>\n<ul>\n<li style=\"text-align: justify;\" data-start=\"274\" data-end=\"639\"><strong>alcune tra le pi\u00f9 significative avanguardie artistiche del Novecento attraverso le opere di tre dei suoi massimi protagonisti:<\/strong> <strong data-start=\"586\" data-end=\"603\">Pablo Picasso<\/strong>, <strong data-start=\"605\" data-end=\"618\">Joan Mir\u00f3<\/strong> e <strong data-start=\"621\" data-end=\"638\">Salvador Dal\u00ed<\/strong>.<\/li>\n<\/ul>\n<p style=\"text-align: justify;\" data-start=\"641\" data-end=\"876\"><strong>Tre personalit\u00e0 straordinarie,<\/strong> tre sguardi indipendenti e innovativi, un\u2019eredit\u00e0 comune che ha segnato in modo indelebile l\u2019arte moderna, generando simboli, forme e linguaggi che ancora oggi influenzano la cultura visiva contemporanea.<\/p>\n<p style=\"text-align: justify;\" data-start=\"878\" data-end=\"1141\">La mostra \u00e8 curata da <strong data-start=\"900\" data-end=\"915\">Joan Abell\u00f3<\/strong>, con <strong data-start=\"921\" data-end=\"942\">Vittoria Mainoldi<\/strong> e <strong data-start=\"945\" data-end=\"963\">Carlota Mui\u00f1os<\/strong>; \u00e8 prodotta da Navigare Srl e gode del patrocinio del Comune di Milano, dell\u2019Ambasciata di Spagna in Italia, del Consolato Generale di Spagna a Milano e dell\u2019Istituto Cervantes.<\/p>\n<hr data-start=\"1143\" data-end=\"1146\" \/>\n<h3 style=\"text-align: justify;\" data-start=\"1148\" data-end=\"1178\"><strong data-start=\"1152\" data-end=\"1178\">Il percorso espositivo<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"1180\" data-end=\"1556\">L\u2019allestimento si articola in cinque sezioni che ripercorrono le tappe fondamentali della storia di Picasso, Mir\u00f3 e Dal\u00ed.<\/p>\n<ul>\n<li style=\"text-align: justify;\" data-start=\"1180\" data-end=\"1556\"><strong>Il racconto ha inizio con la loro formazione e con il fermento culturale della Catalogna \u2013 terra d\u2019origine per Mir\u00f3 e Dal\u00ed, e di iniziazione artistica per Picasso<\/strong> \u2013 mettendo in luce l\u2019influenza decisiva dei movimenti del <em data-start=\"1523\" data-end=\"1535\">Modernismo<\/em> e del <em data-start=\"1542\" data-end=\"1555\">Noucentisme<\/em>.<\/li>\n<\/ul>\n<p style=\"text-align: justify;\" data-start=\"1558\" data-end=\"1859\"><strong>Dalla comune rottura con i canoni accademici al trasferimento nella Parigi delle avanguardie,<\/strong> passando per incontri cruciali e momenti di svolta, la mostra illustra<\/p>\n<ul>\n<li style=\"text-align: justify;\" data-start=\"1558\" data-end=\"1859\"><strong>come ciascuno di loro abbia elaborato un linguaggio radicalmente personale, contribuendo a plasmare il panorama dell\u2019arte del XX secolo.<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify;\" data-start=\"1861\" data-end=\"2044\">Il cuore dell\u2019esposizione \u00e8 dedicato al<\/p>\n<ul>\n<li style=\"text-align: justify;\" data-start=\"1861\" data-end=\"2044\"><strong data-start=\"1901\" data-end=\"1916\">Surrealismo<\/strong>, inteso <strong>non solo come corrente artistica, ma come mezzo privilegiato<\/strong> di espressione dell\u2019inconscio e dell\u2019identit\u00e0 individuale.<\/li>\n<\/ul>\n<p style=\"text-align: justify;\" data-start=\"2046\" data-end=\"2217\">Segue l\u2019<strong>approfondimento sulle poetiche mature del Secondo Dopoguerra e sul successo internazionale dei tre artisti,<\/strong> attraverso alcune delle loro opere e serie pi\u00f9 celebri.<\/p>\n<p style=\"text-align: justify;\" data-start=\"2219\" data-end=\"2535\">Un\u2019ultima sezione \u00e8 dedicata all\u2019<strong data-start=\"2252\" data-end=\"2274\">eclettismo tecnico<\/strong> che accomuna Picasso, Mir\u00f3 e Dal\u00ed: <strong>pittura, scultura, grafica, poesia, cinema, arti applicate e interventi in ambito architettonico e pubblico<\/strong> si fondono nei corpi di lavoro di questi artisti che sfidano le classificazioni e moltiplicano i linguaggi dell\u2019arte.<\/p>\n<hr data-start=\"2537\" data-end=\"2540\" \/>\n<h3 style=\"text-align: justify;\" data-start=\"2542\" data-end=\"2564\"><strong data-start=\"2546\" data-end=\"2564\">Focus tematici<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"2566\" data-end=\"2730\">Particolare attenzione sar\u00e0 riservata all\u2019opera <strong data-start=\"2614\" data-end=\"2628\">\u201cGuernica\u201d<\/strong> di Picasso e all\u2019anno della sua realizzazione, il 1937: un grido universale per la pace. In mostra:<\/p>\n<ul style=\"text-align: justify;\" data-start=\"2731\" data-end=\"2973\">\n<li data-start=\"2731\" data-end=\"2756\">\n<p data-start=\"2733\" data-end=\"2756\"><strong>bozzetti preparatori,<\/strong><\/p>\n<\/li>\n<li data-start=\"2757\" data-end=\"2829\">\n<p data-start=\"2759\" data-end=\"2829\">fotografie di Dora Maar (fotografa, poetessa e compagna di Picasso),<\/p>\n<\/li>\n<li data-start=\"2830\" data-end=\"2973\">\n<p data-start=\"2832\" data-end=\"2973\"><strong>opere coeve<\/strong> che raccontano il <strong>clima culturale dell\u2019epoca, inquietantemente <\/strong><\/p>\n<\/li>\n<li data-start=\"2830\" data-end=\"2973\">\n<p data-start=\"2832\" data-end=\"2973\"><span style=\"text-decoration: underline;\"><strong>simile a quello contemporaneo<\/strong>, dominato da violenza e distruzione.<\/span><\/p>\n<\/li>\n<\/ul>\n<p style=\"text-align: justify;\" data-start=\"2975\" data-end=\"3221\">Altro punto culminante dell\u2019esposizione sar\u00e0<\/p>\n<ul>\n<li style=\"text-align: justify;\" data-start=\"2975\" data-end=\"3221\"><strong data-start=\"3020\" data-end=\"3036\">\u201cBacchanale\u201d<\/strong>, imponente <strong>scenografia teatrale realizzata da Dal\u00ed nel 1939 per l\u2019omonimo balletto<\/strong> \u2013 il primo di nove lavori per i Balletti Russi di Monte Carlo \u2013 esposta per la prima volta in Italia.<\/li>\n<\/ul>\n<hr data-start=\"3223\" data-end=\"3226\" \/>\n<h3 style=\"text-align: justify;\" data-start=\"3228\" data-end=\"3244\"><strong data-start=\"3232\" data-end=\"3244\">Le opere<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"3246\" data-end=\"3342\">Oltre <span style=\"text-decoration: underline;\"><strong data-start=\"3252\" data-end=\"3265\">250 opere<\/strong><\/span> in mostra, provenienti da prestigiosi musei e collezioni private, tra cui:<\/p>\n<ul style=\"text-align: justify;\" data-start=\"3343\" data-end=\"3495\">\n<li data-start=\"3343\" data-end=\"3388\">\n<p data-start=\"3345\" data-end=\"3388\">Museu Nacional Centro de Arte Reina Sof\u00eda<\/p>\n<\/li>\n<li data-start=\"3389\" data-end=\"3430\">\n<p data-start=\"3391\" data-end=\"3430\">Museu Picasso (A Coru\u00f1a e Barcellona)<\/p>\n<\/li>\n<li data-start=\"3431\" data-end=\"3456\">\n<p data-start=\"3433\" data-end=\"3456\">Fundaci\u00f3n Luis Seoane<\/p>\n<\/li>\n<li data-start=\"3457\" data-end=\"3495\">\n<p data-start=\"3459\" data-end=\"3495\">Fundaci\u00f3n Museo de Artes del Grabado<\/p>\n<\/li>\n<\/ul>\n<p style=\"text-align: justify;\" data-start=\"3497\" data-end=\"3611\">Le collezioni private coinvolte offriranno al pubblico l\u2019occasione di scoprire lavori raramente esposti in Italia.<\/p>\n<hr data-start=\"3613\" data-end=\"3616\" \/>\n<h2 style=\"text-align: justify;\" data-start=\"3618\" data-end=\"3642\"><strong data-start=\"3621\" data-end=\"3640\">Radio Ufficiale<\/strong><\/h2>\n<p style=\"text-align: justify;\" data-start=\"3643\" data-end=\"3699\"><strong data-start=\"3643\" data-end=\"3664\">RADIO MONTE CARLO<\/strong> \u00e8 la radio ufficiale della mostra.<\/p>\n<hr data-start=\"3701\" data-end=\"3704\" \/>\n<h2 style=\"text-align: justify;\" data-start=\"3706\" data-end=\"3736\"><strong data-start=\"3709\" data-end=\"3736\">Il Comitato Scientifico<\/strong><\/h2>\n<h3 style=\"text-align: justify;\" data-start=\"3738\" data-end=\"3759\"><strong data-start=\"3742\" data-end=\"3757\">Joan Abell\u00f3<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"3760\" data-end=\"4072\">Dottore di ricerca in Scienze Umanistiche (Universit\u00e0 Pompeu Fabra, Barcellona), esperto in archivistica, management culturale e fund raising. Critico d\u2019arte e design, curatore indipendente. Dirigente del Reial Cercle Art\u00edstic de Barcelona, ha curato numerose mostre in Europa, America, Asia e Africa, tra cui:<\/p>\n<ul style=\"text-align: justify;\" data-start=\"4073\" data-end=\"4341\">\n<li data-start=\"4073\" data-end=\"4123\">\n<p data-start=\"4075\" data-end=\"4123\"><em data-start=\"4075\" data-end=\"4098\">Futurismo &amp; Futurismo<\/em> (Palazzo Grassi, 1986)<\/p>\n<\/li>\n<li data-start=\"4124\" data-end=\"4185\">\n<p data-start=\"4126\" data-end=\"4185\"><em data-start=\"4126\" data-end=\"4164\">Picasso, l\u2019uomo dalle mille maschere<\/em> (Barcellona, 2006)<\/p>\n<\/li>\n<li data-start=\"4186\" data-end=\"4228\">\n<p data-start=\"4188\" data-end=\"4228\"><em data-start=\"4188\" data-end=\"4213\">Picasso e la fotografia<\/em> (Roma, 2019)<\/p>\n<\/li>\n<li data-start=\"4229\" data-end=\"4288\">\n<p data-start=\"4231\" data-end=\"4288\"><em data-start=\"4231\" data-end=\"4258\">Henri de Toulouse-Lautrec<\/em> (Torino e Parma, 2024\u20132025)<\/p>\n<\/li>\n<li data-start=\"4289\" data-end=\"4341\">\n<p data-start=\"4291\" data-end=\"4341\"><em data-start=\"4291\" data-end=\"4326\">Picasso. Il Linguaggio delle Idee<\/em> (Napoli, 2024)<\/p>\n<\/li>\n<\/ul>\n<hr data-start=\"4343\" data-end=\"4346\" \/>\n<h3 style=\"text-align: justify;\" data-start=\"4348\" data-end=\"4375\"><strong data-start=\"4352\" data-end=\"4373\">Vittoria Mainoldi<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"4376\" data-end=\"4602\">(Bologna, 1985) \u2013 Laureata in Lettere Moderne, cofondatrice della galleria <em data-start=\"4451\" data-end=\"4475\">ONO arte contemporanea<\/em>. Specializzata in mostre fotografiche legate alla cultura pop e alle icone del secondo Novecento.<br data-start=\"4573\" data-end=\"4576\" \/>Ha curato, tra le altre:<\/p>\n<ul style=\"text-align: justify;\" data-start=\"4603\" data-end=\"4737\">\n<li data-start=\"4603\" data-end=\"4634\">\n<p data-start=\"4605\" data-end=\"4634\"><em data-start=\"4605\" data-end=\"4623\">David LaChapelle<\/em> (Napoli)<\/p>\n<\/li>\n<li data-start=\"4635\" data-end=\"4661\">\n<p data-start=\"4637\" data-end=\"4661\"><em data-start=\"4637\" data-end=\"4650\">Frida Kahlo<\/em> (Torino)<\/p>\n<\/li>\n<li data-start=\"4662\" data-end=\"4708\">\n<p data-start=\"4664\" data-end=\"4708\"><em data-start=\"4664\" data-end=\"4687\">Surrealist Lee Miller<\/em> (Bologna e Malaga)<\/p>\n<\/li>\n<li data-start=\"4709\" data-end=\"4737\">\n<p data-start=\"4711\" data-end=\"4737\"><em data-start=\"4711\" data-end=\"4728\">Robert Doisneau<\/em> (Ancona)<\/p>\n<\/li>\n<\/ul>\n<hr data-start=\"4739\" data-end=\"4742\" \/>\n<h3 style=\"text-align: justify;\" data-start=\"4744\" data-end=\"4768\"><strong data-start=\"4748\" data-end=\"4766\">Carlota Mui\u00f1os<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"4769\" data-end=\"4946\">Direttrice di <em data-start=\"4783\" data-end=\"4820\">Art &amp; Projects \u2013 Connecting Culture<\/em>, esperta in ideazione curatoriale, progettazione di spazi espositivi e comunicazione culturale. Tra i progetti pi\u00f9 recenti:<\/p>\n<ul style=\"text-align: justify;\" data-start=\"4947\" data-end=\"5074\">\n<li data-start=\"4947\" data-end=\"4989\">\n<p data-start=\"4949\" data-end=\"4989\"><em data-start=\"4949\" data-end=\"4969\">Homenaje a Picasso<\/em> (La Coru\u00f1a, 2023)<\/p>\n<\/li>\n<li data-start=\"4990\" data-end=\"5035\">\n<p data-start=\"4992\" data-end=\"5035\"><em data-start=\"4992\" data-end=\"5015\">Las Chicas del Pillar<\/em> (La Coru\u00f1a, 2023)<\/p>\n<\/li>\n<li data-start=\"5036\" data-end=\"5074\">\n<p data-start=\"5038\" data-end=\"5074\"><em data-start=\"5038\" data-end=\"5056\">Nelson Villalobo<\/em> (La Coru\u00f1a, 2023)<\/p>\n<\/li>\n<\/ul>\n<hr data-start=\"5076\" data-end=\"5079\" \/>\n<h3 style=\"text-align: justify;\" data-start=\"5081\" data-end=\"5120\"><strong data-start=\"5085\" data-end=\"5118\">Rosa Maria Subirana i Torrent<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"5121\" data-end=\"5323\">Storica dell\u2019arte catalana, gi\u00e0 direttrice del Museu Picasso (1966\u20131983). Ha curato importanti esposizioni internazionali, \u00e8 membro del CIMAM-ICOM-UNESCO e docente all\u2019Universit\u00e0 Autonoma di Barcellona.<\/p>\n<hr data-start=\"5325\" data-end=\"5328\" \/>\n<h3 style=\"text-align: justify;\" data-start=\"5330\" data-end=\"5362\"><strong data-start=\"5334\" data-end=\"5360\">Carmen Jim\u00e9nez Jim\u00e9nez<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"5363\" data-end=\"5568\">Direttrice della Fundaci\u00f3n Luis Seoane, restauratrice e curatrice. Ha diretto la Casa Museo Picasso (La Coru\u00f1a) e organizzato mostre di Picasso e Warhol in Cina. Attualmente responsabile del Museo Bea Rey.<\/p>\n<hr data-start=\"5570\" data-end=\"5573\" \/>\n<h3 style=\"text-align: justify;\" data-start=\"5575\" data-end=\"5597\"><strong data-start=\"5579\" data-end=\"5595\">Ant\u00f3n Castro<\/strong><\/h3>\n<p style=\"text-align: justify;\" data-start=\"5598\" data-end=\"5795\">Professore di arte contemporanea, critico, curatore e autore di oltre 800 articoli. Ha curato le mostre \u201cEl primer Picasso\u201d (2025), \u201cPicasso en sus carteles\u201d e \u201cPicasso blanco en el recuerdo azul\u201d.<\/p>\n<hr data-start=\"5797\" data-end=\"5800\" \/>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<article class=\"text-token-text-primary w-full focus:outline-none scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\" tabindex=\"-1\" data-testid=\"conversation-turn-4\" data-scroll-anchor=\"true\" data-turn=\"assistant\">\n<div class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @[37rem]:[--thread-content-margin:--spacing(6)] @[72rem]:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\">\n<div class=\"[--thread-content-max-width:32rem] @[34rem]:[--thread-content-max-width:40rem] @[64rem]:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\">\n<div class=\"flex max-w-full flex-col grow\">\n<div class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+&amp;]:mt-5\" dir=\"auto\" data-message-author-role=\"assistant\" data-message-id=\"1982618a-ad5c-4d15-93e4-ebabdf7ec63f\" data-message-model-slug=\"gpt-4o\">\n<div class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[3px]\">\n<div class=\"markdown prose dark:prose-invert w-full break-words light\">\n<hr data-start=\"4080\" data-end=\"4083\" \/>\n<p style=\"text-align: justify;\" data-start=\"4110\" data-end=\"4166\">\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n","protected":false},"excerpt":{"rendered":"<p>Save the date &#8211; anteprima mostre autunno 2025 I Tre Grandi di Spagna: Picasso, Mir\u00f3, Dal\u00ed | Fabbrica del Vapore, Milano | dal 25 ottobre<\/p>\n","protected":false},"author":1,"featured_media":149466,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,15],"tags":[32073],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/149459"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=149459"}],"version-history":[{"count":6,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/149459\/revisions"}],"predecessor-version":[{"id":149470,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/149459\/revisions\/149470"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/149466"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=149459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=149459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=149459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}