{"id":161611,"date":"2026-05-18T17:59:31","date_gmt":"2026-05-18T15:59:31","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=161611"},"modified":"2026-05-20T19:18:42","modified_gmt":"2026-05-20T17:18:42","slug":"mostre-a-napoli-museo-di-capodimonte-emilio-isgro","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=161611","title":{"rendered":"Mostre a Napoli &#8211; Museo di Capodimonte &#8211; Emilio Isgr\u00f2"},"content":{"rendered":"<p class=\"article__subtitle\">Mostra dedicata alla citt\u00e0 di Napoli e alla sua canzone<\/p>\n<figure id=\"attachment_161627\" aria-describedby=\"caption-attachment-161627\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_o_sole_mio.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-161627\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_o_sole_mio-300x234.jpg\" alt=\"\" width=\"300\" height=\"234\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_o_sole_mio-300x234.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_o_sole_mio-384x300.jpg 384w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_o_sole_mio.jpg 672w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-161627\" class=\"wp-caption-text\">-isgro_o_sole_mio<\/figcaption><\/figure>\n<h3 class=\"article__title\">Emilio Isgr\u00f2<\/h3>\n<h3 class=\"article__title\">&#8220;Canto Napoli&#8221;<\/h3>\n<p class=\"article__subtitle\">Curatore: Eike Schmidt &#8211; Direttore del Museo e Real Bosco di Capodimonte<\/p>\n<p>Sino al 29 settembre 2026<\/p>\n<figure id=\"attachment_161626\" aria-describedby=\"caption-attachment-161626\" style=\"width: 200px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_mandolino_2.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-161626\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_mandolino_2-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_mandolino_2-200x300.jpg 200w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_mandolino_2.jpg 672w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-161626\" class=\"wp-caption-text\">-isgro_mandolino<\/figcaption><\/figure>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>Emilio Isgr\u00f2 (Barcellona Pozzo di Gotto, 1937)<\/strong>, artista concettuale e pittore, poeta, autore, drammaturgo e regista.<\/p>\n<p style=\"text-align: justify;\">Fin dagli anni Sessanta, <strong>Emilio Isgr\u00f2 <\/strong><\/p>\n<ul>\n<li style=\"text-align: justify;\"><strong>fa della Cancellatura un gesto poetico<\/strong>, critico e politico; per &#8220;evidenziare&#8221; l&#8217;abisso della memoria, i labirinti del sapere e i significati precari del vivere.<\/li>\n<\/ul>\n<figure id=\"attachment_161625\" aria-describedby=\"caption-attachment-161625\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_luna_rossa.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-161625\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_luna_rossa-300x230.jpg\" alt=\"\" width=\"300\" height=\"230\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_luna_rossa-300x230.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_luna_rossa-391x300.jpg 391w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/05\/1a-isgro_luna_rossa.jpg 672w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-161625\" class=\"wp-caption-text\">isgro_luna_rossa<\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><strong>Ma non cancella tutto<\/strong> e ci\u00f2 che resta lo esalta; per <strong>affascinare l&#8217;attento ammiratore.<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Cancella con le sue righe nere;<\/strong>\u00a0 dai\u00a0 <i>Promessi Spos<\/i>i alla\u00a0<i>Bibbia<\/i>, dall&#8217;<i>Odissea<\/i>\u00a0alla\u00a0<i>Costituzione italiana<\/i>, sino all&#8217;Enciclica\u00a0<i>Laudato si\u2019<\/i>, inaugurata con Papa Francesco.<\/p>\n<p style=\"text-align: justify;\">Il maestro mette sotto la lente di ingrandimento \u00a0anche la Canzone Napoletana e ne cancella le righe.<\/p>\n<p>Fu molto apprezzato anche dal grande critico d&#8217;arte <strong>Philippe Daverio.\u00a0<\/strong><\/p>\n<p style=\"text-align: justify;\"><span data-contrast=\"none\">Le\u00a0venticinque\u00a0canzoni scelte\u202fspaziano da\u202f\u2018<\/span><i><span data-contrast=\"none\">O sole mio\u202f<\/span><\/i><span data-contrast=\"none\">(versi di Giovanni Capurro e musica Eduardo Di Capua e Alfredo Mazzucchi, 1898)\u202fnella duplice versione chiara e scura,\u202fa\u00a0<\/span><i><span data-contrast=\"none\">Voce \u2018e notte<\/span><\/i><span data-contrast=\"none\">\u00a0di Edoardo\u00a0Nicolardi ed Ernesto De Curtis\u00a0(1904)\u00a0e\u00a0a\u202f<\/span><i><span data-contrast=\"none\">Reginella<\/span><\/i><span data-contrast=\"none\">\u202f(scritta nel\u00a01917 da Libero Bovio),\u202fpassando\u00a0per\u202f<\/span><i><span data-contrast=\"none\">Maruzzella<\/span><\/i><span data-contrast=\"none\">\u202fdi Renato Carosone\u00a0(1954),\u202ffino\u202fa\u202f<\/span><i><span data-contrast=\"none\">Resta\u202fcu\u2019mme\u202f<\/span><\/i><span data-contrast=\"none\">con musica<\/span><i><span data-contrast=\"none\">\u202f<\/span><\/i><span data-contrast=\"none\">di\u202fDomenico Modugno\u00a0(1957)\u00a0che scriver\u00e0 anche\u202f<\/span><i><span data-contrast=\"none\">Tu\u00a0si\u2019\u00a0na\u00a0cosa grande\u202f<\/span><\/i><span data-contrast=\"none\">(1964)\u00a0e all\u2019ormai classica\u00a0<\/span><i><span data-contrast=\"none\">Napul\u2019\u00e8<\/span><\/i><span data-contrast=\"none\">\u00a0di Pino Daniele (1977).\u202fPassando per\u00a0tanti\u00a0brani immortali o comunque popolarissimi:\u00a0<\/span><i><span data-contrast=\"none\">Te\u00a0voglio\u00a0bene\u00a0assaje<\/span><\/i><span data-contrast=\"none\">\u00a0(1839 testo di Raffaele Sacco, musica attribuita a Donizetti),\u00a0<\/span><i><span data-contrast=\"none\">Funicul\u00ec funicul\u00e0<\/span><\/i><span data-contrast=\"none\">\u00a0(1880 testo di Peppino Turco, musica di Luigi Denza),\u202f<\/span><i><span data-contrast=\"none\">Torna a Surriento<\/span><\/i><span data-contrast=\"none\">, (1894 di G.\u00a0De Curtis),\u00a0<\/span><i><span data-contrast=\"none\">I\u2019\u00a0te\u00a0vurria\u00a0vas\u00e0<\/span><\/i><span data-contrast=\"none\">, (1900 di Russo-di Capua),\u00a0<\/span><i><span data-contrast=\"none\">Comme\u00a0facette\u00a0mammeta<\/span><\/i><span data-contrast=\"none\">\u00a0(1906 di Capaldo-Gambardella),\u00a0<\/span><i><span data-contrast=\"none\">Nin\u00ec\u202fTirabusci\u00f2<\/span><\/i><span data-contrast=\"none\">\u00a0(1911 di Califano-Gambardella),\u00a0<\/span><i><span data-contrast=\"none\">\u2018O\u00a0surdato\u00a0\u2018nnammurato<\/span><\/i><span data-contrast=\"none\">\u00a0(1915 di Califano \u2013\u00a0Cannio),\u00a0<\/span><i><span data-contrast=\"none\">Santa Lucia e\u202f Santa Lucia\u00a0luntana<\/span><\/i><span data-contrast=\"none\">\u00a0(1919 di E.A. Mario),\u00a0<\/span><i><span data-contrast=\"none\">Scalinatella<\/span><\/i><span data-contrast=\"none\">\u00a0(1948 di\u00a0Buonagura-Cioffi),\u00a0<\/span><i><span data-contrast=\"none\">Anema e core<\/span><\/i><span data-contrast=\"none\">\u00a0(1950 di Tito Manlio \u2013 D\u2019Esposito),\u202f<\/span><i><span data-contrast=\"none\">Luna Rossa<\/span><\/i><span data-contrast=\"none\">\u00a0(1950 di De Crescenzo-Vian),\u00a0<\/span><i><span data-contrast=\"none\">Malafemmena<\/span><\/i><span data-contrast=\"none\">\u00a0(1951, A.\u00a0De Curtis\u00a0in arte\u00a0Tot\u00f2),\u00a0<\/span><i><span data-contrast=\"none\">Guaglione\u00a0<\/span><\/i><span data-contrast=\"none\">(1956 di Nisa a Fanciulli),\u00a0<\/span><i><span data-contrast=\"none\">Nun\u00a0\u00e8 peccato<\/span><\/i><span data-contrast=\"none\">\u00a0(di Ugo Calise\u00a0successo anni\u00a0\u201860 di Peppino di Capri),\u00a0<\/span><i><span data-contrast=\"none\">A\u00a0Canzuncella<\/span><\/i><span data-contrast=\"none\">\u00a0(1977 di Paolo Morelli degli Alunni del Sole).<\/span><span data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335557856&quot;:16777215,&quot;335559731&quot;:284,&quot;335559739&quot;:300}\">\u00a0<\/span><\/p>\n<p><span data-contrast=\"none\">Accanto\u202falle\u202fscritture musicali\u202f<\/span><i><span data-contrast=\"none\">riarrangiate\u202f<\/span><\/i><span data-contrast=\"none\">da Isgr\u00f2, trovano posto\u202ftre\u202flavori a tutto tondo:\u202fdue mandolini e una chitarra classica\u202fa dimensione reale,\u202fattraversati dagli stessi insetti che popolano le opere bidimensionali.\u00a0<\/span><span data-ccp-props=\"{&quot;335551550&quot;:1,&quot;335551620&quot;:1,&quot;335557856&quot;:16777215,&quot;335559731&quot;:284,&quot;335559739&quot;:300}\">\u00a0<\/span><\/p>\n<p>INFORMAZIONI SULLA MOSTRA<\/p>\n<p>Via Lucio Amelio 2 &#8211;\u00a0 Napoli<\/p>\n<p><a href=\"tel:+390817499130\">Tel +39 081 7499130<\/a><\/p>\n<p><a href=\"mailto:mu-cap@cultura.gov.it\">mu-cap@cultura.gov.it<\/a><\/p>\n<p><strong>Ingresso gratuito compreso nel biglietto del museo.<\/strong><\/p>\n<p>Apertura tutti i giorni<strong> tranne il mercoled\u00ec<\/strong><\/p>\n<p>Nei giorni feriali dalle 8.30 alle 17.00 (ultimo ingresso alle 16.30) nei giorni festivi\u00a0dalle ore\u00a08.30\u00a0alle\u00a019.30\u00a0(ultimo ingresso\u00a0alle\u00a018.30)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mostra dedicata alla citt\u00e0 di Napoli e alla sua canzone Emilio Isgr\u00f2 &#8220;Canto Napoli&#8221; Curatore: Eike Schmidt &#8211; Direttore del Museo e Real Bosco di<\/p>\n","protected":false},"author":1,"featured_media":161624,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,15,9411,15896],"tags":[33461],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/161611"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=161611"}],"version-history":[{"count":13,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/161611\/revisions"}],"predecessor-version":[{"id":161628,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/161611\/revisions\/161628"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/161624"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=161611"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=161611"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=161611"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}