{"id":168326,"date":"2026-10-15T16:48:35","date_gmt":"2026-10-15T14:48:35","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=168326"},"modified":"2026-10-15T17:43:04","modified_gmt":"2026-10-15T15:43:04","slug":"mostre-a-roma-retrospettiva-di-keith-haring-street-art-e-metropolitane","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=168326","title":{"rendered":"Mostre a Roma &#8211; retrospettiva di Keith Haring &#8211; Street art e metropolitane"},"content":{"rendered":"<h2 class=\"francois-one editor-title editor-title-top-padding\">Keith Haring senza confini<\/h2>\n<figure id=\"attachment_168329\" aria-describedby=\"caption-attachment-168329\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Keith_Haring_Keith_Haring_Foundation_Courtesy_of_Nakamura_Keith_Haring_Collection.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-168329\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Keith_Haring_Keith_Haring_Foundation_Courtesy_of_Nakamura_Keith_Haring_Collection-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Keith_Haring_Keith_Haring_Foundation_Courtesy_of_Nakamura_Keith_Haring_Collection-300x225.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Keith_Haring_Keith_Haring_Foundation_Courtesy_of_Nakamura_Keith_Haring_Collection-400x300.jpg 400w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Keith_Haring_Keith_Haring_Foundation_Courtesy_of_Nakamura_Keith_Haring_Collection.jpg 600w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-168329\" class=\"wp-caption-text\">Keith_Haring_Keith_Haring_Foundation_Courtesy_of_Nakamura_Keith_Haring_Collection.j<\/figcaption><\/figure>\n<p><strong>Keith Haring.<\/strong><\/p>\n<p><strong>Art without borders<\/strong><\/p>\n<p>A cura di <strong>Kaoru Yanase, Ilaria Miarelli Mariani e Claudio Zambianchi.<\/strong><\/p>\n<p>Palazzo Braschi &#8211; Museo di Roma<\/p>\n<p>dal 6 ottobre 2026 all\u201911 aprile 2027.<\/p>\n<figure id=\"attachment_168330\" aria-describedby=\"caption-attachment-168330\" style=\"width: 244px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-6-Three_Lithographs_Keith_Haring_Keith_Haring_FoundationCourtesy_of_Nakamura_Keith_Haring_Collection.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-168330\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-6-Three_Lithographs_Keith_Haring_Keith_Haring_FoundationCourtesy_of_Nakamura_Keith_Haring_Collection-244x300.jpg\" alt=\"\" width=\"244\" height=\"300\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-6-Three_Lithographs_Keith_Haring_Keith_Haring_FoundationCourtesy_of_Nakamura_Keith_Haring_Collection-244x300.jpg 244w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-6-Three_Lithographs_Keith_Haring_Keith_Haring_FoundationCourtesy_of_Nakamura_Keith_Haring_Collection.jpg 672w\" sizes=\"(max-width: 244px) 100vw, 244px\" \/><\/a><figcaption id=\"caption-attachment-168330\" class=\"wp-caption-text\">Keith Haring, Three lithographs \/ Tre litografie, 1985. Litografia su carta, 101,5 \u00d7 81 cm \u00a9 Keith Haring Foundation I Courtesy of Nakamura Keith Haring Collection<\/figcaption><\/figure>\n<p><strong>Era il&#8230; lontano 1984<\/strong> e Keith Haring, a 26 anni, lasciava il suo segno nel cuore di Roma.<\/p>\n<p style=\"text-align: justify;\">Sulla parete laterale del Palazzo delle Esposizioni, Haring disegnava figure iconiche: la gioia di vivere, il cane che abbaia, l\u2019uomo in rivolta.<\/p>\n<p style=\"text-align: justify;\">Poi fu il turno delle pareti trasparenti della metropolitana su Ponte Pietro Nenni, vicino a Piazzale Flaminio.<\/p>\n<ul>\n<li><strong>Entrambe le opere, stupidamente rimosse per motivi di \u201cdecoro urbano\u201d.<\/strong><\/li>\n<\/ul>\n<p>Per fortuna che il fotografo Stefano Fontebasso De Martino, document\u00f2 per tempo questi lavori.<\/p>\n<p><strong>Keith Haring, artista statunitense (Reading 1958- New York 1990), torna nella Capitale<\/strong> con oltre 140 opere e materiali esclusivi raramente concessi dalla Nakamura Keith Haring Collection; la pi\u00f9 grande raccolta al mondo a lui dedicata, oltre ad importanti prestiti pubblici e privati.<\/p>\n<p><strong>In esposizione l\u2019intero percorso creativo di Haring,<\/strong> dai primi lavori di New York, agli iconici Subway Drawings sino ai poster politici, alle sculture, ai dipinti.<\/p>\n<p>Non mancano le numerose opere e i documenti relativi ai suoi trascorsi a Napoli, Milano e Pisa.<\/p>\n<ul>\n<li><strong>Proprio a Pisa \u00e8 ancora visibile il suo grande murale Tuttomondo<\/strong>.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Parole di Haring<\/p>\n<ul>\n<li style=\"text-align: justify;\"><strong>\u201cIl pubblico ha diritto all\u2019arte. L\u2019arte \u00e8 per tutti\u201d<\/strong><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">I suoi soggetti furono:<\/p>\n<ul>\n<li style=\"text-align: justify;\"><strong>bambini radianti, cani che abbaiano, figure che danzano, angeli, cuori, televisori e piramidi;<\/strong><\/li>\n<li style=\"text-align: justify;\"><strong>adattissimi a parlare\u00a0 a culture e generazioni diverse.<\/strong><\/li>\n<\/ul>\n<p style=\"text-align: justify;\">Seguendo il pensiero dell\u2019artista, la mostra sar\u00e0 accompagnata da<\/p>\n<ul>\n<li style=\"text-align: justify;\">un <strong>ricco programma didattico per i giovani e per le scuole.<\/strong><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Keith Haring senza confini Keith Haring. Art without borders A cura di Kaoru Yanase, Ilaria Miarelli Mariani e Claudio Zambianchi. Palazzo Braschi &#8211; Museo di<\/p>\n","protected":false},"author":1,"featured_media":168368,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,14,15,9411,358,15896,17619],"tags":[34182],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168326"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=168326"}],"version-history":[{"count":1,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168326\/revisions"}],"predecessor-version":[{"id":168331,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168326\/revisions\/168331"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/168368"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=168326"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=168326"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=168326"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}