{"id":168471,"date":"2026-10-18T17:47:31","date_gmt":"2026-10-18T15:47:31","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=168471"},"modified":"2026-10-18T17:52:48","modified_gmt":"2026-10-18T15:52:48","slug":"mostre-ad-amsterdam-yayoi-kusama-stedelijk-museum","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=168471","title":{"rendered":"Mostre ad Amsterdam &#8211; Yayoi Kusama &#8211; Stedelijk Museum"},"content":{"rendered":"<p><strong>L&#8217;ARTISTA DEI <\/strong><em><strong>POIS<\/strong> (piselli o<\/em> pallini<em>)<\/em><\/p>\n<p style=\"text-align: justify;\"><strong>Tra zucche, pois, tentacoli e &#8220;stanze specchiate&#8221; le ossessioni di un&#8217;artista giapponese contemporanea.<\/strong><\/p>\n<p style=\"text-align: justify;\">&#8220;Riproducendo le forme delle cose che mi terrorizzano sono in grado di reprimere la pura&#8221; Yayoi Kusama<\/p>\n<p>Ampia retrospettiva dedicata all&#8217;artista giapponese Yayoi Kusama.<\/p>\n<h3>Yayoi Kusama<\/h3>\n<p>Opere storiche mai esposte prima in Europa e nuovi lavori realizzati appositamente per l\u2019occasione.<\/p>\n<p>Sino al 17 gennaio 2027<\/p>\n<p>Stedelijk Museum &#8211; Amsterdam<\/p>\n<p><a href=\"http:\/\/www.stedelijk.nl\">www.stedelijk.nl<\/a><\/p>\n<figure id=\"attachment_144206\" aria-describedby=\"caption-attachment-144206\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/03\/mostre-NGV-Yayoi-Kusama.-Photo-Sean-Fennessy-95-1.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-144206\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/03\/mostre-NGV-Yayoi-Kusama.-Photo-Sean-Fennessy-95-1-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/03\/mostre-NGV-Yayoi-Kusama.-Photo-Sean-Fennessy-95-1-300x225.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/03\/mostre-NGV-Yayoi-Kusama.-Photo-Sean-Fennessy-95-1-400x300.jpg 400w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2025\/03\/mostre-NGV-Yayoi-Kusama.-Photo-Sean-Fennessy-95-1.jpg 660w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-144206\" class=\"wp-caption-text\">Installation view of Yayoi Kusama\u2019s The Hope of the Polka Dots Buried in Infinity Will Eternally Cover the Universe 2019 as part of the Yayoi Kusama exhibition at NGV International, Melbourne until 21 April 2025. Collection of the artist \u00a9 YAYOI KUSAMA Photo: Sean Fennessy<\/figcaption><\/figure>\n<p>Organizzata in collaborazione con Fondation Beyeler e Museum Ludwig<\/p>\n<p>Curata da Leontine Coelewij<\/p>\n<figure id=\"attachment_93041\" aria-describedby=\"caption-attachment-93041\" style=\"width: 300px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2021\/04\/Arte-Yayoi-Kusama-Kusama-with-sculpuresin-her-studio-NY-1963.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-93041\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2021\/04\/Arte-Yayoi-Kusama-Kusama-with-sculpuresin-her-studio-NY-1963-300x269.jpg\" alt=\"\" width=\"300\" height=\"269\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2021\/04\/Arte-Yayoi-Kusama-Kusama-with-sculpuresin-her-studio-NY-1963-300x269.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2021\/04\/Arte-Yayoi-Kusama-Kusama-with-sculpuresin-her-studio-NY-1963-768x688.jpg 768w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2021\/04\/Arte-Yayoi-Kusama-Kusama-with-sculpuresin-her-studio-NY-1963-335x300.jpg 335w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2021\/04\/Arte-Yayoi-Kusama-Kusama-with-sculpuresin-her-studio-NY-1963.jpg 1000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><figcaption id=\"caption-attachment-93041\" class=\"wp-caption-text\">cliccare sopra per ingrandire le foto &#8211; foto di repertorio &#8211; Yayoi-Kusama-Kusama-with-sculpuresin-her-studio-NY-1963<\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><strong>L&#8217;esposizione attraversa oltre 70 anni di ricerca<\/strong>, e riunisce: dipinti, sculture, disegni, collage, moda, happening, performance e installazioni immersive.<\/p>\n<p style=\"text-align: justify;\"><strong>Yayoi Kusama (nata a Matsumoto nel 1929), inizia l&#8217;attivit\u00e0 artistica in Giappone<\/strong> <strong>nei primi anni Cinquanta, per poi trasferirsi a New York.<\/strong><\/p>\n<figure id=\"attachment_168477\" aria-describedby=\"caption-attachment-168477\" style=\"width: 265px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Mostra-g.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-168477\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Mostra-g-265x300.jpg\" alt=\"\" width=\"265\" height=\"300\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Mostra-g-265x300.jpg 265w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Mostra-g.jpg 672w\" sizes=\"(max-width: 265px) 100vw, 265px\" \/><\/a><figcaption id=\"caption-attachment-168477\" class=\"wp-caption-text\">Yayoi Kusama posa nel suo studio a New York particolare<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">A New York, negli anni Sessanta, Kusama entra in contatto con le principali esperienze dell\u2019avanguardia americana. Qui la sua ricerca assume una dimensione radicale e multidisciplinare: caratterizzata da <strong>pattern ripetuti all&#8217;infinito, alle sculture morbide, dalle performance, fino agli ambienti immersivi che coinvolgono direttamente lo spettatore<\/strong>.<\/p>\n<p style=\"text-align: justify;\"><strong>&#8212;&#8212;&#8212;&#8212;&#8212;&#8212;-\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0FOTO COPERTINA:<\/strong> Sonderausstellung Yayoi Kusama, Fondation Beyeler.\u00a9KUSAMA with YELLOW TREE \/ Living Room at the Aichi Triennale,2010\u00a9 YAYOI KUSAMA, Courtesy of Ota Fine Arts, Victoria Miro, David Zwirner PARTICOLARE<\/p>\n","protected":false},"excerpt":{"rendered":"<p>L&#8217;ARTISTA DEI POIS (piselli o pallini) Tra zucche, pois, tentacoli e &#8220;stanze specchiate&#8221; le ossessioni di un&#8217;artista giapponese contemporanea. &#8220;Riproducendo le forme delle cose che<\/p>\n","protected":false},"author":1,"featured_media":153127,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,15],"tags":[34201],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168471"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=168471"}],"version-history":[{"count":9,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168471\/revisions"}],"predecessor-version":[{"id":168482,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168471\/revisions\/168482"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/153127"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=168471"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=168471"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=168471"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}