{"id":168504,"date":"2026-10-20T14:35:35","date_gmt":"2026-10-20T12:35:35","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=168504"},"modified":"2026-10-20T14:38:44","modified_gmt":"2026-10-20T12:38:44","slug":"mostre-a-londra-provocazioni-anni-90","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=168504","title":{"rendered":"Mostre a Londra &#8211; Provocazioni anni &#8217;90"},"content":{"rendered":"<p><span style=\"color: #ed64c2;\"><strong>Quando il futuro pareva avesse i capelli rosa.<\/strong><\/span><\/p>\n<h3><strong class=\"rQesXe MPyX\" style=\"font-size: 1.0625rem;\" data-sfc-cp=\"\" data-sfc-root=\"c\">&#8220;The 90s: Art and Fashion&#8221;<\/strong><\/h3>\n<p style=\"text-align: justify;\">I favolosi anni &#8217;90:\u00a0 dissacranti, anticonformisti e innovativi attraverso la cultura underground, ma in alcuni casi; gi\u00e0\/ancora razzisti. Tra dandismo e storia coloniale.<\/p>\n<p><strong>Tate Britain &#8211; Londra<\/strong><\/p>\n<p style=\"text-align: justify;\">Tra Kate Moss, McQueen, rave e Young British Artists, la Tate ci trasmette un messaggio sugli anni Novanta attraverso un atlante emotivo, seducente, parziale e pi\u00f9 politico di quanto sembri.<\/p>\n<figure id=\"attachment_168506\" aria-describedby=\"caption-attachment-168506\" style=\"width: 232px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Chills-Ofili-No-woman-no-cry-1998-particolare.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-168506\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Chills-Ofili-No-woman-no-cry-1998-particolare-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Chills-Ofili-No-woman-no-cry-1998-particolare-232x300.jpg 232w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1a-Chills-Ofili-No-woman-no-cry-1998-particolare.jpg 672w\" sizes=\"(max-width: 232px) 100vw, 232px\" \/><\/a><figcaption id=\"caption-attachment-168506\" class=\"wp-caption-text\">Chills-Ofili-No-woman-no-cry-1998-particolare<\/figcaption><\/figure>\n<p>Sino al 14 febbraio 2027<\/p>\n<p>Curatore: <strong>Edward Enninful<\/strong> (ex direttore di Vogue UK)<\/p>\n<figure id=\"attachment_168507\" aria-describedby=\"caption-attachment-168507\" style=\"width: 204px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1A-Ynka-Shonibare-The-swing-after-Fragonard-2001.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-168507\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1A-Ynka-Shonibare-The-swing-after-Fragonard-2001-204x300.jpg\" alt=\"\" width=\"204\" height=\"300\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1A-Ynka-Shonibare-The-swing-after-Fragonard-2001-204x300.jpg 204w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2026\/10\/1A-Ynka-Shonibare-The-swing-after-Fragonard-2001.jpg 672w\" sizes=\"(max-width: 204px) 100vw, 204px\" \/><\/a><figcaption id=\"caption-attachment-168507\" class=\"wp-caption-text\">Ynka-Shonibare-The-swing-after-Fragonard-2001 particolare<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Oltre 100 opere tra fotografia, pittura, scultura e moda che raccontano la rottura delle convenzioni, il grunge, l&#8217;estetica &#8220;heroin chic&#8221; e le sfilate teatrali dell&#8217;epoca.<\/p>\n<p style=\"text-align: justify;\">La rassegna esplora l&#8217;identit\u00e0 anticonformista e la provocazione visiva che hanno definito il decennio britannico.<\/p>\n<p style=\"text-align: justify;\"><strong>AVEVA I CAPELLI ROSA<\/strong><\/p>\n<p style=\"text-align: justify;\">Nel 1998, Kate Moss per una settimana ebbe i capelli rosa.<\/p>\n<p style=\"text-align: justify;\"><strong>Erano stati tinti a Milano<\/strong> per armonizzarli al rosa polveroso degli accessori della collezione primavera 1999 di Versace. In mostra anche la foto che ricorda questo episodio.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Quando il futuro pareva avesse i capelli rosa. &#8220;The 90s: Art and Fashion&#8221; I favolosi anni &#8217;90:\u00a0 dissacranti, anticonformisti e innovativi attraverso la cultura underground,<\/p>\n","protected":false},"author":1,"featured_media":168505,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,15],"tags":[34205],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168504"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=168504"}],"version-history":[{"count":5,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168504\/revisions"}],"predecessor-version":[{"id":168512,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/168504\/revisions\/168512"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/168505"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=168504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=168504"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=168504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}