{"id":42950,"date":"2017-03-08T16:00:05","date_gmt":"2017-03-08T15:00:05","guid":{"rendered":"http:\/\/www.donnecultura.eu\/?p=42950"},"modified":"2017-03-09T17:11:48","modified_gmt":"2017-03-09T16:11:48","slug":"art-basel-hong-kong-23-25-marzo-2017-tutto-il-programma-in-inglese","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=42950","title":{"rendered":"ART BASEL – Hong Kong 23 – 25 marzo 2017 – TUTTO IL PROGRAMMA IN INGLESE"},"content":{"rendered":"

Art Basel, la cui capofila \u00e8 UBS, si svolge presso il Convention and Exhibition Centre di Hong Kong <\/strong><\/p>\n

dal 23 marzo al 25 marzo 2017.<\/strong><\/span><\/p>\n

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Conversations, Art Basel\u2019s renowned talks series, will commence on Wednesday, March 22. The first of seven conversations, \u2018Cities on the Move \u2013 20 Years on\u2019, will commemorate the twentieth anniversary of the iconic namesake exhibition, which was one of the first major shows to investigate the impact of globalization and extreme urbanization. \u2018Cities on the Move\u2019 was first curated by Hans Ulrich Obrist and Hou Hanru and presented at Secession in Vienna before it toured to institutions in Bordeaux, New York and London among others. This conversation will feature artists Ellen Pau (b. 1961), Xu Tan (b. 1957), Wong Hoy Cheong (b. 1960) and Anthony Yung, Senior Researcher, Asia Art Archive, Hong Kong. The conversation will be moderated by Hou Hanru, Artistic Director, MAXXI, National Museum of 21st Century Arts, Rome, and Curator 2017 Bi-City Biennale of Urbanism\\Architecture, Shenzhen and Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, London. The conversation will be followed by the Premiere Artist Talk featuring Kingsley Ng (b. 1980), who will discuss his project \u2018Twenty-Five Minutes Older\u2019 with curator and writer Valerie C. Doran, Hong Kong.<\/p>\n

\u2018Virtual Frontiers | Artists Experimenting with Tilt Brush\u2019 will feature Cao Fei (b. 1978) and Yang Yongliang (b. 1980) in conversation with Freya Murray, Program Manager, Google Arts & Culture, London. Together they will discuss the possibilities of making art in virtual reality and reflect on the impact virtual tools such as Tilt Brush by Google might have on their practice. The Conversation is followed by \u2018More Than Outreach | What Makes an Institution Public?\u2019, a discussion between curators and museum directors from the Asia Pacific region and the United States about art institutions\u2019 responsibilities to the public and the public\u2019s role in guiding those institutions. This Conversation will bring together Rhana Devenport, Director, Auckland Art Gallery Toi o T\u0101maki, Auckland; Suhanya Raffel, Executive Director, M+, West Kowloon Cultural District, Hong Kong; Michael Govan, CEO and Wallis Annenberg Director, Los Angeles County Museum of Art (LACMA), Los Angeles and Mami Kataoka, Artistic Director, The 21st Biennale of Sydney and Chief Curator, Mori Art Museum, Tokyo; and will be moderated by Andr\u00e1s Sz\u00e1nt\u00f3, author and cultural consultant, New York.<\/p>\n

Thursday’s Conversation will focus on the interdisciplinary artist collective teamLab whose expansive practice involves collaborations in the fields of art, technology and science.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Conversations will continue with \u2018Supporting the Arts | When Patronage Becomes Form\u2019, moderated by William Lim, Architect, Hong Kong, on Friday, March 24. This discussion will explore the many ways in which art collectors can support artists, institutions and creative initiatives in the 21st century and will feature Roobina Karode, Director and Chief Curator, Kiran Nadar Museum of Art, New Delhi; Veronika Zonabend, Co- Founder, RVVZ Family Foundation, Moscow; Qiao Zhibing, Collector and Founder, Tank Shanghai, Shanghai; Fran\u00e7ois Quintin, Managing Director, Lafayette Anticipation – Fondation d\u2019entreprise Galeries Lafayette and Fonds de dotation Famille Moulin, Paris and Hallam Chow, Founder, H2 Foundation for Arts and Education, Hong Kong.<\/p>\n

On the final day of the show, artist Keiichi Tanaami (b. 1936) will speak with Mizuki Takahashi, Senior Curator, MILL6 Foundation, Hong Kong about his work that can be found in prominent collections around the world, including The Museum of Modern Art, New York and M+, West Kowloon Cultural District, Hong Kong.<\/p>\n

From Thursday, March 23 through Saturday, March 25, Art Basel will also present Salon, an open platform for shorter presentations addressing a diverse range of topics. This year\u2019s program will commence with a panel discussion \u20181997\/ 2007\/ 2017 | Made in Hong Kong\u2019. The discussion will bring together artists Ellen Pau (b. 1961), Leung Chi Wo (b. 1968) and Ho Tzu Nyen (b. 1976), who are all featured in this year’s Film program, and will be moderated by Li Zhenhua, Curator of Art Basel\u2019s Film sector in Hong Kong and Founder and Director of Beijing Art Lab, Beijing \/ Zurich.<\/p>\n

In the afternoon on Thursday, March 23, \u2018Time\u2019s Complex: Encounters in Encounters\u2019 will present a discussion between artists featured in this year\u2019s Encounters sector including Dinh Q L\u00ea (b. 1968), Joyce Ho (b. 1983), Gonkar Gyatso (b. 1961) and Shen Shaomin (b. 1956), moderated by Alexie Glass-Kantor, Curator of Art Basel\u2019s Encounters sector and Executive Director, Artspace, Sydney. Later that afternoon, Clare McAndrew, Founder, Arts Economics, Dublin will introduce the first Art Basel and UBS Global Art Market Report that will launch at Art Basel\u2019s Hong Kong show, in a conversation with Jan Dalley, Arts Editor, Financial Times, Adrian Zuercher, Managing Director, Head Asset Allocation, Asia Pacific, UBS Chief Investment Office Wealth Management, Hong Kong and Alexandra Seno, Head of Development, Asia Art Archive.<\/p>\n

On Friday, March 24, Alan Lau, Co-chair, Tate\u2019s Asia Pacific Acquisition Committee, Co- chair, Para Site and Board Member, M+, West Kowloon Cultural District, Hong Kong will moderate a discussion on \u2018The Language(s) We Speak: Art as Communication\u2019 with artists Michael Craig-Martin (b. 1941), Su Mei-Tse (b. 1973) and Abigail Reynolds<\/p>\n

(b. 1975). A discussion on \u2018What Biennials Do | Notes on Format\u2019 will feature Jeebesh Bagchi, Co-Founder, Raqs Media Collective, New Delhi; Alisa Prudnikova, Commissioner and Director, Ural Industrial Biennial of Contemporary Art, Ekaterinburg; Marco Roso, Co-Founder, DIS Collective and Co-Curator, 9th Berlin Biennale, New York and Hou Hanru, Artistic Director, MAXXI, National Museum of 21st Century Arts, Rome and Curator, 2017 Bi-City Biennale of Urbanism\\Architecture, Shenzhen. The conversation will be moderated by independent curator and writer Qinyi Lim, Singapore. Later that day \u2018Does Political Art Matter? | A Roundtable Discussion\u2019 will feature artists Chow Chun Fai (b. 1980), Sampson Wong (b. 1985) and Wen Yau, and will be moderated by Vivienne Chow, Founding Director, Cultural Journalism Campus and Honorary Lecturer, Journalism and Media Studies Centre (JMSC), The University of Hong Kong, Hong Kong.<\/p>\n

On Saturday, March 25, \u2018Technologies of the Present | New Media at Work\u2019 will be presented by artists KyungHwa Lee (b. 1973), Lin Ke (b. 1984) and Masaki Fujihata (b. 1956). In the early afternoon, a discussion on \u2018New Criticism | Digital Media and Cultural Journalism\u2019 will feature Matthew Anderson, Editor, BBC Culture, London; George Chen,<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Head of Public Policy for Hong Kong and Taiwan, Facebook, Hong Kong and Nonny de la Pe\u00f1a, Founder, Emblematic Group, Santa Monica and will be moderated by
\nVivienne Chow, Founding Director, Cultural Journalism Campus and Honorary Lecturer, Journalism and Media Studies Centre (JMSC), The University of Hong Kong, Hong Kong.<\/p>\n

DETAILED CONVERSATIONS PROGRAM<\/p>\n

The Conversations series brings together the art world\u2019s most prominent talents and thinkers, each of them offering their unique perspective on producing, collecting and exhibiting art.<\/p>\n

Conversations is held daily from Wednesday, March 22 to Saturday, March 25 in the auditorium on level 1, at the entrance of Hall 1A of the Hong Kong Convention and Exhibition Centre. Conversations will be free to the public also during Private View on Wednesday through entrance 1A on Level 1. The talks will be accessible in English, Cantonese and Mandarin.<\/p>\n

High-quality videos of all Conversations will be available shortly after the show at artbasel.com\/hongkong\/conversations.<\/p>\n

Wednesday, March 22, 2017<\/p>\n

10am to 11.30am | Cities on the Move | 20 Years on<\/p>\n

Wong Hoy Cheong, Artist, George Town\/Kuala Lumpur; Xu Tan, Artist, Guangzhou\/San Francisco; Anthony Yung, Senior Researcher, Asia Art Archive, Hong Kong; Ellen Pau, Artist, and Co-Founder, Videotage, Hong Kong
\nModerators: Hans Ulrich Obrist, Artistic Director, Serpentine Galleries, London and Hou Hanru, Artistic Director, MAXXI, National Museum of 21st Century Arts, Rome and Curator, 2017 Bi-City Biennale of Urbanism\\Architecture, Shenzhen<\/p>\n

This Conversation revisits ‘Cities on the Move’, a groundbreaking exhibition curated by Hans Ulrich Obrist and Hou Hanru that opened twenty years ago. ‘Cities on the Move’ investigated the effects of globalization and extreme urbanization through a presentation of contemporary art and architecture from Asian cities. In this discussion, the original curators reflect on ‘Cities on the Move’ and discuss its continuing importance with a panel of speakers.<\/p>\n

12pm to 1.30pm | Premiere Artist Talk | Kingsley Ng<\/p>\n

Kingsley Ng, Artist, Hong Kong in conversation with Valerie C. Doran, Curator and Writer, Hong Kong<\/p>\n

Kingsley Ng\u2019s ‘Twenty-Five Minutes Older’ returns to the city to run alongside this year\u2019s Art Basel show, in which two of Hong Kong\u2019s iconic public trams are transformed into moving camera obscuras. Ng will be in conversation with Valerie C. Doran to discuss his deep interest in light and the environmental implications of Hong Kong\u2019s built environment.<\/p>\n

3.30pm to 4.30pm | Virtual Frontiers | Artists Experimenting with Tilt Brush<\/p>\n

Cao Fei, Artist, Beijing; Yang Yongliang, Artist, Shanghai
\nModerator: Freya Murray, Program Manager, Google Arts & Culture, London<\/p>\n

Featured artists will discuss their approach to making art in virtual reality and reflect on the impact virtual tools such as Tilt Brush by Google, a 3D painting application, might have on their practice and more broadly on the arts sector.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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5.30pm to 7pm | More Than Outreach | What Makes an Institution Public? Rhana Devenport, Director, Auckland Art Gallery Toi o T\u0101maki, Auckland; Suhanya Raffel, Executive Director, M+, West Kowloon Cultural District, Hong Kong; Michael Govan, CEO and Wallis Annenberg Director, Los Angeles County Museum of Art (LACMA), Los Angeles; Mami Kataoka, Artistic Director, The 21st Biennale of Sydney and Chief Curator, Mori Art Museum, Tokyo
\nModerator: Andr\u00e1s Sz\u00e1nt\u00f3, Author and Cultural Consultant, New York<\/p>\n

Whom does an art institution serve? How should art institutions engage with the public? What role should the public play in guiding an art institution\u2019s programs and collections? These are the questions guiding this panel discussion, which brings together leading curators and museum directors from Asia and the United States.<\/p>\n

Thursday, March 23, 2017<\/p>\n

11am to 12.30pm | Collective Efforts | teamLab<\/p>\n

Takashi Kudo, Artist, teamLab, Tokyo in conversation with Ikkan Sanada, Art Business Advisor, teamLab, Singapore<\/p>\n

teamLab was founded in 2001 as an interdisciplinary artist collective whose expansive practice involves collaborations in the fields of art, technology and science. This conversation brings together two members of teamLab discussing their collective efforts and beyond.<\/p>\n

Friday, March 24, 2017<\/p>\n

11am to 12.30pm | Supporting the Arts | When Patronage Becomes Form<\/p>\n

Roobina Karode, Director and Chief Curator, Kiran Nadar Museum of Art, New Delhi; Veronika Zonabend, Co-Founder, RVVZ Family Foundation, Moscow; Qiao Zhibing, Art Collector and Founder, Tank Shanghai, Shanghai; Fran\u00e7ois Quintin, Managing Director, Lafayette Anticipation – Fondation d\u2019entreprise Galeries Lafayette and Fonds de dotation Famille Moulin, Paris; Hallam Chow, Founder, H2 Foundation for Arts and Education, Hong Kong<\/p>\n

Moderator: William Lim, Architect and Managing Director, CL3, Hong Kong<\/p>\n

This conversation brings together patrons and collectors from around the world to reflect on how private individuals can support art. Whether they\u2019re interested in founding a private museum, supporting creative initiatives or advising a non-profit, there are more ways for patrons to engage with art and artists than ever before.<\/p>\n

Saturday, March 25, 2017<\/p>\n

10am to 11.30am | Artist Talk<\/p>\n

Keiichi Tanaami, Artist, Tokyo in conversation with Mizuki Takahashi, Senior Curator, MILL6 Foundation, Hong Kong<\/p>\n

Japanese pop artist Keiichi Tanaami talks with Hong Kong-based curator Mizuki Takahashi. Tanaami rose to prominence in the 1960s and \u201870s working as a graphic designer, illustrator, painter and video artist. His psychedelic art can now be found in prominent collections around the world, including that of The Museum of Modern Art, New York and M+, West Kowloon Cultural District, Hong Kong.<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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DETAILED SALON PROGRAM<\/p>\n

The afternoon Salon program is an open platform for short presentations \u2013 often informal \u2013 such as artist talks, panels, lectures and performances. A wide range of experts from the international art world take part in Salon, including artists, curators, academics, collectors, architects, art lawyers, critics and other cultural players.<\/p>\n

Salon is held daily from Thursday, March 23 to Saturday, March 25 in the auditorium on Level 1, at the entrance of Hall 1A of the Hong Kong Convention and Exhibition Centre. Access with Art Basel VIP card or show ticket. The talks will be accessible in English, Cantonese and Mandarin.<\/p>\n

High-quality videos of all Salon talks will be available shortly after the show at artbasel.com\/hongkong\/salon<\/p>\n

Thursday, March 23, 2017<\/p>\n

1pm to 2pm | 1997\/ 2007\/ 2017 | Made in Hong Kong<\/p>\n

Ellen Pau, Artist, and Co-Founder, Videotage, Hong Kong; Leung Chi Wo, Artist, Hong Kong; Ho Tzu Nyen, Artist, Singapore\/Berlin
\nModerator: Li Zhenhua, Curator of Art Basel\u2019s Film sector and Founder and Director, Beijing Art Lab, Beijing \/ Zurich<\/p>\n

2pm to 3pm | Time\u2019s Complex | Encounters in Encounters<\/p>\n

Dinh Q L\u00ea, Artist and Co-founder and Co-director, S\u00e0n Art, Ho Chi Minh City; Joyce Ho, Artist, Taipei; Gonkar Gyatso, Artist, Chengdu; Shen Shaomin, Artist, Beijing
\nModerator: Alexie Glass-Kantor, Curator of Art Basel\u2019s Encounters sector and Executive Director, Artspace, Sydney<\/p>\n

3pm to 4pm | Real Talk | Art Fair Art<\/p>\n

Ryan Gander, Artist, Suffolk; Alexie Glass-Kantor, Curator of Art Basel\u2019s Encounters sector and Executive Director, Artspace, Sydney; Philip Tinari, Director, Ullens Center for Contemporary Art, Beijing; Pio Abad, Artist, London
\nModerator: H.G. Masters, Editor-at-large, ArtAsiaPacific, Hong Kong<\/p>\n

4pm to 5pm | Making Spaces for Culture | Districts, Complexes and Clusters<\/p>\n

William Lim, Architect and Managing Director, CL3, Hong Kong; Vilma Jukurte, Director, Alserkal Avenue, Dubai; Ute Meta Bauer, Director, NTU Centre for Contemporary Art Singapore, Singapore; Mimi Brown, Founder, Spring Workshop, Hong Kong
\nModerator: Alia Al-Senussi, Patron, London<\/p>\n

5pm to 6pm | Taking Stock | An Art Market Report<\/p>\n

Dr. Clare McAndrew, Founder, Arts Economics, Dublin; Jan Dalley, Arts Editor, Financial Times, London; Adrian Zuercher, Managing Director, Head Asset Allocation, Asia Pacific, UBS Chief Investment Office Wealth Management, Hong Kong
\nModerator: Alexandra Seno, Head of Development, Asia Art Archive, Hong Kong<\/p>\n

6pm to 7:30pm | Para Site After 20 | The Independent Landscape in Hong Kong<\/p>\n

Cosmin Costinas, Executive Director and Curator, Para Site, Hong Kong; Sara Wong, Artist, Hong Kong; Dr. Tim Li, Advisor, Para Site and Advisor of Fine Art Program, RMIT University, Hong Kong; Professor Wallace Chang Ping Hung, Chairman, 1a Space, Hong Kong; South Ho, Artist and Co-Founder, 100ft Park, Hong Kong<\/p>\n

Moderator: Chantal Wong, Head of Strategic Development, Asia Art Archive, and Co- Founder, Things That Can Happen, Hong Kong<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Friday March 24, 2017<\/p>\n

1pm to 2pm | The Language(s) We Speak | Art as Communication
\nMichael Craig-Martin, Artist, London; Su Mei-Tse, Artist, Luxembourg \/ Berlin; Abigail Reynolds, Artist, St. Just, Cornwall
\nModerator: Alan Lau, Co-Chair, Tate\u2019s Asia Pacific Acquisition Committee, Co-Chair, Para Site and Board Member, M+, West Kowloon Cultural District, Hong Kong<\/p>\n

2pm to 3pm | What Biennials Do | Notes on Format<\/p>\n

Jeebesh Bagchi, Co-Founder, Raqs Media Collective, New Delhi; Alisa Prudnikova, Commissioner and Director, Ural Industrial Biennial of Contemporary Art, Ekaterinburg; Marco Roso, Co-Founder, DIS Collective and Co-Curator, 9th Berlin Biennale, New York; Hou Hanru, Artistic Director, MAXXI, National Museum of 21st Century Arts, Rome and Curator, 2017 Bi-City Biennale of Urbanism\\Architecture, Shenzhen<\/p>\n

Moderator: Qinyi Lim, Independent Curator and Writer, Singapore<\/p>\n

3pm to 4pm | Art of the Nation | Institutionalizing Culture<\/p>\n

David Teh, Assistant Professor, National University of Singapore, Singapore; Eve Tam, Museum Director, Hong Kong Museum of Art, Hong Kong
\nModerator: Mark Rappolt, Editor-in-Chief, ArtReview and ArtReview Asia, London<\/p>\n

4pm to 5pm | Towards Regional Re-mappings | Developing Connections<\/p>\n

Esther Lu, Director, Taipei Contemporary Art Center, Taipei; Gridthiya Gaweewong, Artistic Director, Jim Thompson Art Center, Bangkok; Suman Gopinath, Independent Curator, Bangalore; Alia Swastika, Curator and Program Director, Ark Galerie and Independent Researcher, Yogyakarta<\/p>\n

Moderator: Qinyi Lim, Independent Curator and Writer, Singapore<\/p>\n

5pm to 6pm | In (and out of) Frame | Africa in Perspective<\/p>\n

Lee Garakara, Founder and Creative Director, Mwimbi Fine Art Gallery, Hong Kong; John Owoo, Editor, Arts Ghana, Accra; N\u2019Gone Fall, Independent Curator and Co-Founder of Dakar-based collective GawLab, Paris
\nModerator: Frank Vigneron, Professor, Fine Arts Department, The Chinese University of Hong Kong, Hong Kong<\/p>\n

6pm to 7pm | Does Political Art Matter? | A Roundtable<\/p>\n

Chow Chun Fai, Artist, Hong Kong; Cosmin Costinas, Executive Director and Curator, Para Site, Hong Kong; Sampson Wong, Artist, Independent Curator and Lecturer, Department of Liberal Arts Studies, The Hong Kong Academy for Performing Arts, Hong Kong; Wen Yau, Artist and Researcher, Hong Kong<\/p>\n

Moderator: Vivienne Chow, Founding Director, Cultural Journalism Campus and Honorary Lecturer, Journalism and Media Studies Centre (JMSC), The University of Hong Kong, Hong Kong<\/p>\n

7pm to 8pm | Alternative Ways of Learning | Education Outside the Academy<\/p>\n

Dirk Fleischmann, Founder, RAT school of ART, Seoul; Huang Xiaopeng, Professor, South China Normal University and Founder, HB Station (Contemporary Art Research Centre), Guangzhou; Melissa Lee, Curator of Education and Public Programmes Curator, Old Bailey Galleries, Tai Kwun, Hong Kong; Prateek Raja, Director, Experimenter, Kolkata<\/p>\n

Moderator: Freya Chou, Education and Public Programmes Curator, Para Site, Hong Kong<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Saturday, March 25, 2017<\/p>\n

12pm to 1pm | Where is the Artist? | On Positions of Power<\/p>\n

Peng Yu, Artist, Beijing; Sun Yuan, Artist, Beijing; Ashley Bickerton, Artist, Bali Moderators: Chris Moore, Publisher, randian, Berlin; Thomas Eller, Artist and Editor, randian, Beijing<\/p>\n

1pm to 2pm | Technologies of the Present | New Media at Work<\/p>\n

KyungHwa Lee, Artist and Director of International Affairs, The Korean Society of Art Theories, Los Angeles \/ Seoul; Lin Ke, Artist, Beijing; Masaki Fujihata, Media Artist and Professor, Tokyo University of the Arts, Tokyo; Petra Cortright, Artist, Los Angeles Moderator: Maurice Benayoun, Media Artist, and Professor, School of Creative Media, City University of Hong Kong, Hong Kong<\/p>\n

2pm to 3pm | Un\/Bound | The Art of Publishing<\/p>\n

Reiko Tomii, Co-Director, PoNJA-GenKon, New York; Jitish Kallat, Artist, Mumbai; Christina Li, Curator-at-Large, Spring Workshop, Hong Kong; Pak Sheung Chuen, Artist, Hong Kong
\nModerator: Ingrid Chu, Public Programmes Curator, Asia Art Archive, Hong Kong<\/p>\n

3pm to 4pm | New Criticism | Digital Media and Cultural Journalism<\/p>\n

Matthew Anderson, Editor, BBC Culture, London; George Chen, Head of Public Policy for Hong Kong and Taiwan, Facebook, Hong Kong; Nonny de la Pe\u00f1a, Founder, Emblematic Group, Santa Monica
\nModerator: Vivienne Chow, Founding Director, Cultural Journalism Campus, and Honorary Lecturer, Journalism and Media Studies Centre (JMSC), The University of Hong Kong, Hong Kong<\/p>\n

4pm to 5pm | Expanded Horizons | The World Beyond the Map<\/p>\n

Tarek Abou El Fetouh, Independent Curator and Architect, Brussels; Xiaoyu Weng, The Robert H.N. Ho Family Foundation Associate Curator of Chinese Art, Solomon R. Guggenheim Museum, New York; Leeza Ahmady, Independent Curator and Director, Asian Contemporary Art Week (ACAW) Curatorial and Educational Platform, New York; Inti Guerrero, The Estrellita B. Brodsky Adjunct Curator of Latin American Art, Tate, London, Curator, 38th EVA International \u2013 Ireland’s Biennial, Limerick and Founder, Neptune, Hong Kong<\/p>\n

Moderator: Stephanie Bailey, Writer and Editor, London\/Hong Kong<\/p>\n

The Conversations and Salon talks are programmed by Stephanie Bailey, Writer and Editor, London\/Hong Kong.<\/p>\n

NOTES TO EDITORS<\/p>\n

About Art Basel<\/p>\n

Founded in 1970 by gallerists from Basel, Art Basel today stages the world’s premier art shows for Modern and contemporary art, sited in Basel, Miami Beach, and Hong Kong. Defined by its host city and region, each show is unique, which is reflected in its participating galleries, artworks presented, and the content of parallel programming produced in collaboration with local institutions for each edition.<\/p>\n

Art Basel\u2019s engagement has expanded beyond art fairs through a number of new initiatives. In 2014, Art Basel launched its Crowdfunding Initiative, in collaboration with Kickstarter. This initiative presents jury-selected art projects to potential benefactors, which include Art Basel\u2019s vibrant audience and the Kickstarter community. The initiative<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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has catalyzed much-needed support for outstanding non-commercial art projects worldwide and so far has helped pledge over $1.4 million to creative projects around the world. For Art Basel Cities, launched in 2016, Art Basel is working with selected partner cities to develop vibrant and content-driven programs specific to the individual city. Connecting them to the global art world through Art Basel’s expertise and network, Art Basel Cities supports its partners to develop their unique cultural landscape. For further information please visit artbasel.com.<\/p>\n

Selection Committee in Hong Kong<\/p>\n

The Selection Committee for Art Basel’s show in Hong Kong is comprised of renowned international gallerists: Massimo De Carlo, Massimo De Carlo, Milan, London and Hong Kong; Emi Eu, STPI, Singapore; Shireen Gandhy, Chemould Prescott Road, Mumbai; David Maupin, Lehmann Maupin, New York and Hong Kong; Urs Meile, Galerie Urs Meile, Beijing and Lucerne; Atsuko Ninagawa, Take Ninagawa, Tokyo; Bo Young Song, Kukje Gallery, Seoul; and Zhang Wei, Vitamin Creative Space, Guangzhou and Beijing. The experts for the Discoveries sector are Finola Jones, mother’s tankstation limited, Dublin and Patrick Lee, One and J. Gallery, Seoul. The expert for Modern art is Mathias Rastorfer, Galerie Gmurzynska, Zug, Zurich and St. Moritz.<\/p>\n

Partners<\/p>\n

UBS, global Lead Partner of Art Basel, has supported the organization for more than 20 years. As Art Basel\u2019s global network expanded, UBS increased its lead partnership to include all three shows: Basel, Miami Beach and Hong Kong. In addition, UBS has a long and substantial record of engagement in contemporary art: as a holder of one of the world\u2019s most distinguished corporate art collections, as an active partner in global contemporary art projects such as the Guggenheim UBS MAP Global Art Initiative, and as a source of information and insights through the UBS Art Competence Center, UBS Arts Forum and its new contemporary art news-focused app, ‘Planet Art’.<\/p>\n

Art Basel’s Associate Partners are Davidoff Art Initiative which encompasses residencies, art dialogs and grants and Audemars Piguet \u2013 the independent high-end watch manufacturer, whose expanding activities in contemporary art include the Audemars Piguet Art Commission. As the Official Automotive Partner, BMW, the renowned car manufacturer, has co-developed with Art Basel the BMW Art Journey, enabling the winning artist to design a journey of creative discovery. Art Basel is supported globally by Ruinart as Official Champagne Partner and Sennheiser as Official Audio Partner.<\/p>\n

Additionally, Art Basel’s show in Hong Kong has partnerships with MGM Resorts Art & Culture, Swire Properties, Swiss International Air Lines and Quintessentially. Art Basel’s global Media Partner is The Financial Times. For further information about partnerships, please visit artbasel.com\/partners.<\/p>\n

Private View (by invitation only)<\/p>\n

Tuesday, March 21, 2017, 3pm to 8pm Wednesday, March 22, 2017, 1pm to 5pm<\/p>\n

Vernissage<\/p>\n

Wednesday, March 22, 2017, 5pm to 9pm<\/p>\n

Public Days<\/p>\n

Thursday, March 23, 2017, 1pm to 8pm Friday, March 24, 2017, 1pm to 9pm Saturday, March 25, 2017, 11am to 6pm<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Press accreditation:<\/p>\n

Online registration for press accreditation is now open. Please visit artbasel.com\/accreditation.<\/p>\n

Upcoming Art Basel shows<\/p>\n

Hong Kong, March 23-25, 2017 Basel, June 15-18, 2017
\nMiami Beach, December 7-10, 2017<\/p>\n

Media information online<\/p>\n

Media information and images can be downloaded directly from artbasel.com\/press. Journalists can subscribe to our media mailings to receive information on Art Basel.<\/p>\n

For the latest updates on Art Basel, visit artbasel.com, find us on Facebook at facebook.com\/artbasel or follow @artbasel on Instagram, Google+, Twitter, Weibo and Wechat.<\/p>\n

Press Contacts<\/p>\n

Art Basel, Dorothee Dines
\nTel. +41 58 206 27 06, press@artbasel.com<\/p>\n

PR Representatives for Asia
\nSUTTON, Erica Siu
\nTel. +852 2528 0792, erica@suttonpr.com<\/p>\n

PR Representatives for Europe
\nSUTTON, Catharina van Beuningen
\nTel. +44 20 7183 3577, catie@suttonpr.com<\/p>\n

PR Representatives for North and South America, the Middle East and Africa FITZ & CO, Simon Warren
\nTel. +1 646 589 0922, swarren@fitzandco.com<\/p>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Art Basel, la cui capofila \u00e8 UBS, si svolge presso il Convention and Exhibition Centre di Hong Kong dal 23 marzo al 25 marzo 2017.<\/p>\n","protected":false},"author":1,"featured_media":18730,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,15],"tags":[11566],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/42950"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=42950"}],"version-history":[{"count":2,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/42950\/revisions"}],"predecessor-version":[{"id":42952,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/42950\/revisions\/42952"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/18730"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=42950"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=42950"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=42950"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}