{"id":54671,"date":"2018-03-12T21:58:12","date_gmt":"2018-03-12T20:58:12","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=54671"},"modified":"2018-03-14T20:35:20","modified_gmt":"2018-03-14T19:35:20","slug":"arte-a-londra-ian-cheng-serpentine-gallery","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=54671","title":{"rendered":"Arte a Londra &#8211; Ian Cheng &#8211; Serpentine Gallery"},"content":{"rendered":"<figure id=\"attachment_54655\" aria-describedby=\"caption-attachment-54655\" style=\"width: 672px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/?attachment_id=54655\" rel=\"attachment wp-att-54655\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-54655\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2018\/03\/Arte-672-Ian-Cheng-Emissary-sunsets-the-self-live-similation-...-2017.jpg\" alt=\"\" width=\"672\" height=\"416\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2018\/03\/Arte-672-Ian-Cheng-Emissary-sunsets-the-self-live-similation-...-2017.jpg 672w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2018\/03\/Arte-672-Ian-Cheng-Emissary-sunsets-the-self-live-similation-...-2017-300x186.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2018\/03\/Arte-672-Ian-Cheng-Emissary-sunsets-the-self-live-similation-...-2017-485x300.jpg 485w\" sizes=\"(max-width: 672px) 100vw, 672px\" \/><\/a><figcaption id=\"caption-attachment-54655\" class=\"wp-caption-text\">Ian-Cheng-Emissary-sunsets-the-self-live-simulation&#8230;-2017. particolare<\/figcaption><\/figure>\n<figure id=\"attachment_54656\" aria-describedby=\"caption-attachment-54656\" style=\"width: 672px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/www.donnecultura.eu\/?attachment_id=54656\" rel=\"attachment wp-att-54656\"><img decoding=\"async\" loading=\"lazy\" class=\"size-full wp-image-54656\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2018\/03\/Arte-672-Ian-Cheng-Emissary-sunsets-the-self-live-simulation...-2017.jpg\" alt=\"\" width=\"672\" height=\"396\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2018\/03\/Arte-672-Ian-Cheng-Emissary-sunsets-the-self-live-simulation...-2017.jpg 672w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2018\/03\/Arte-672-Ian-Cheng-Emissary-sunsets-the-self-live-simulation...-2017-300x177.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2018\/03\/Arte-672-Ian-Cheng-Emissary-sunsets-the-self-live-simulation...-2017-509x300.jpg 509w\" sizes=\"(max-width: 672px) 100vw, 672px\" \/><\/a><figcaption id=\"caption-attachment-54656\" class=\"wp-caption-text\">Ian-Cheng-Emissary-sunsets-the-self-live-simulation&#8230;-2017. particolare<\/figcaption><\/figure>\n<h4 class=\"category\" style=\"text-align: center;\"><span class=\"notranslate\">Ian Cheng<\/span><\/h4>\n<h4 style=\"text-align: center;\">Serpentine Gallery<\/h4>\n<h5 class=\"period\"><span class=\"notranslate\"><span class=\"date-display-start\">24 aprile 2018<\/span> al <span class=\"date-display-end\">28 maggio 2018<\/span><\/span><\/h5>\n<div class=\"field field-name-body\">\n<p><span class=\"notranslate\">La trilogia di simulazioni Emanary di Ian Cheng (2015-17) arriva alla Serpentine nella seconda met\u00e0 della sua esibizione in due parti, dal 24 aprile.<\/span> <span class=\"notranslate\">Nel frattempo, l&#8217;opera \u00e8 visibile online su <a href=\"http:\/\/live.serpentinegalleries.org.\">live.serpentinegalleries.org.<\/a><\/span><\/p>\n<\/div>\n<h2 class=\"node-title\"><span class=\"notranslate\">Ian Cheng<\/span><\/h2>\n<div class=\"main-body\">\n<div class=\"body-text\">\n<p style=\"text-align: justify;\"><span class=\"notranslate\">Ian Cheng (1984, Los Angeles) \u00e8 un artista di New York il cui lavoro utilizza la simulazione al computer come un modo per comprendere e relazionarsi ai cambiamenti continui.<\/span> <span class=\"notranslate\">Cheng \u00e8 stato oggetto di mostre personali al MoMA PS1, New York (2017);<\/span> <span class=\"notranslate\">Carnegie Museum of Art, Pittsburgh (2017);<\/span> <span class=\"notranslate\">Museo Migros, Zurigo (2016);<\/span> <span class=\"notranslate\">Pilar Corrias Gallery, London (2015);<\/span> <span class=\"notranslate\">Triennale di Milano (2014);<\/span> <span class=\"notranslate\">tra gli altri.<\/span> <span class=\"notranslate\">Il suo lavoro \u00e8 stato incluso in mostre collettive al Louisiana Museum, Copenhagen (2017);<\/span> <span class=\"notranslate\">Yokohama Triennale (2017);<\/span><span class=\"notranslate\">Hirshhorn Museum and Sculpture Garden, Washington DC (2016);<\/span> <span class=\"notranslate\">il Whitney Museum of American Art, New York (2016);<\/span> <span class=\"notranslate\">Biennale di Taipei (2014);<\/span> <span class=\"notranslate\">12a Biennale di Lione (2013);<\/span> <span class=\"notranslate\">e Sculpture Center (2012).<\/span> <span class=\"notranslate\">Cheng ha conseguito un MFA presso la Columbia University (2009) e una doppia laurea in Scienze cognitive e pratica artistica presso l&#8217;Universit\u00e0 della California, Berkeley (2006).<\/span><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ian Cheng Serpentine Gallery 24 aprile 2018 al 28 maggio 2018 La trilogia di simulazioni Emanary di Ian Cheng (2015-17) arriva alla Serpentine nella seconda<\/p>\n","protected":false},"author":1,"featured_media":54654,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,15],"tags":[14207],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/54671"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=54671"}],"version-history":[{"count":2,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/54671\/revisions"}],"predecessor-version":[{"id":54673,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/54671\/revisions\/54673"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/54654"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=54671"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=54671"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=54671"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}