{"id":66249,"date":"2019-02-23T00:22:50","date_gmt":"2019-02-22T23:22:50","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=66249"},"modified":"2019-02-23T17:27:35","modified_gmt":"2019-02-23T16:27:35","slug":"arte-a-copenhaghen-world-of-love-patricia-piccinini","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=66249","title":{"rendered":"Arte a Copenhaghen &#8211; World of love &#8211; Patricia Piccinini"},"content":{"rendered":"<p><strong><span style=\"color: #ff00ff;\">World of love<\/span><\/strong><\/p>\n<p>Sino all&#8217;8 settembre 2019<\/p>\n<p><strong>ARKEN MUSEUM &#8211; COPENAGHEN<\/strong><\/p>\n<p><strong><span style=\"color: #ff0000;\">Chi \u00e8 Patricia-Piccinini ?<\/span><\/strong><\/p>\n<p>Nasce nel 1965 a Freetown in Sierra Leone (Africa), ma australiana per passaporto.<\/p>\n<p>L&#8217;artista realizza opere iperrealiste utilizzando: silicone (derivato del petrolio), vetroresina (anche qui derivati del petrolio), metallo e capelli veri ma, <strong>come scrvono gli esperti (rivista ARTE Febbraio 2019),\u00a0Patricia-Piccinini condivide la &#8220;tecnica&#8221; con il connazionale Ron Mueck ed il sudafricano\u00a0Evan Penny.<\/strong><\/p>\n<p>IN MOSTRA<\/p>\n<p>Ibridi di animali e macchine, mutanti e fantastiche figure.<\/p>\n<p>Il visitatore resta afafscinato e inquietato.<\/p>\n<p><strong>IL NOSTRO COMMENTO<\/strong><\/p>\n<p style=\"text-align: justify;\"><strong>Basta creare arte con derivati del petrolio;<\/strong> <strong><span style=\"color: #ff0000;\">non \u00e8 ancora ababstanza chiaro che il mondo deve cambiare se vuole \u00a0salvare le future generazioni?<\/span><\/strong><\/p>\n<p>www.arken.dk<\/p>\n<p>::::::::::::::::::<\/p>\n<p>Copertina:\u00a0Patricia-Piccinini-The-struggle-2017- mostra-Word-of-love-a-Copenaghen-Arken-Museum-2019- particoare<\/p>\n","protected":false},"excerpt":{"rendered":"<p>World of love Sino all&#8217;8 settembre 2019 ARKEN MUSEUM &#8211; COPENAGHEN Chi \u00e8 Patricia-Piccinini ? Nasce nel 1965 a Freetown in Sierra Leone (Africa), ma<\/p>\n","protected":false},"author":1,"featured_media":66250,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,15],"tags":[16925],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/66249"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=66249"}],"version-history":[{"count":1,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/66249\/revisions"}],"predecessor-version":[{"id":66251,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/66249\/revisions\/66251"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/66250"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=66249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=66249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=66249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}