{"id":67372,"date":"2019-03-31T19:07:16","date_gmt":"2019-03-31T17:07:16","guid":{"rendered":"https:\/\/www.donnecultura.eu\/?p=67372"},"modified":"2019-03-31T19:07:16","modified_gmt":"2019-03-31T17:07:16","slug":"art-basel-hong-kong-grande-successo","status":"publish","type":"post","link":"https:\/\/www.donnecultura.eu\/?p=67372","title":{"rendered":"Art Basel Hong Kong &#8211; Grande successo"},"content":{"rendered":"<p><strong><a href=\"https:\/\/www.donnecultura.eu\/?attachment_id=67376\" rel=\"attachment wp-att-67376\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-67376\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-basel-2019-700-HongKong__1_-1.jpg\" alt=\"\" width=\"700\" height=\"196\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-basel-2019-700-HongKong__1_-1.jpg 700w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-basel-2019-700-HongKong__1_-1-300x84.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-basel-2019-700-HongKong__1_-1-650x182.jpg 650w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a><\/strong><\/p>\n<p><strong>&#8221; Art Basel Hong Kong continua ad essere una fiera chiave per le gallerie di tutto il mondo &#8230;&#8221;<\/strong><\/p>\n<p><strong><span style=\"color: #ff00ff;\">ART BASEL HONG KONG 2019 si \u00e8 conclusa domenica 31 marzo 2019<\/span><\/strong><\/p>\n<p><a href=\"https:\/\/www.donnecultura.eu\/?attachment_id=67380\" rel=\"attachment wp-att-67380\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-67380\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-Hong-Kong-2019-672-arte-contemporanea.jpg\" alt=\"\" width=\"672\" height=\"372\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-Hong-Kong-2019-672-arte-contemporanea.jpg 672w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-Hong-Kong-2019-672-arte-contemporanea-300x166.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-Hong-Kong-2019-672-arte-contemporanea-542x300.jpg 542w\" sizes=\"(max-width: 672px) 100vw, 672px\" \/><\/a><\/p>\n<p><strong>&#8221; Art Basel Hong Kong \u00e8 una piattaforma davvero globale in Asia per le gallerie e i loro artisti. <\/strong><\/p>\n<p><strong>La fiera crea un ponte tra l&#8217;Asia e l&#8217;Occidente, come dimostra l&#8217;impressionante line-up di gallerie provenienti da Europa e Stati Uniti &#8230; &#8220;<\/strong><\/p>\n<p><a href=\"https:\/\/www.donnecultura.eu\/?attachment_id=67379\" rel=\"attachment wp-att-67379\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-67379\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-Hong-Kong-2019-672-ABHK19__Misc__General_Impressions__PR-_201903300M5A9253-1.jpg\" alt=\"\" width=\"669\" height=\"372\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-Hong-Kong-2019-672-ABHK19__Misc__General_Impressions__PR-_201903300M5A9253-1.jpg 669w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-Hong-Kong-2019-672-ABHK19__Misc__General_Impressions__PR-_201903300M5A9253-1-300x167.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-Hong-Kong-2019-672-ABHK19__Misc__General_Impressions__PR-_201903300M5A9253-1-540x300.jpg 540w\" sizes=\"(max-width: 669px) 100vw, 669px\" \/><\/a><\/p>\n<p>&#8220;La fiera quest&#8217;anno \u00e8 stata fantastica e ha superato gli anni passati.<\/p>\n<p><strong><span style=\"color: #ff00ff;\">\u00c8 l&#8217;evento artistico pi\u00f9 importante in Asia,<\/span> <\/strong>ancora pi\u00f9 significativo delle biennali.<\/p>\n<p>Art Basel Hong Kong non \u00e8 solo una piattaforma per attivit\u00e0 commerciali ma anche un discorso accademico. Abbiamo <strong>stabilito relazioni con nuovi collezionisti,<\/strong> anche alcuni che sono i primi collezionisti.<\/p>\n<p>Quest&#8217;anno abbiamo presentato <span style=\"text-decoration: underline;\"><strong>per la prima volta i lavori di Chiang Yomei<\/strong> <\/span>alla fiera &#8211; la risposta \u00e8 stata tremenda, e <strong>tutte le opere vendute<\/strong> &#8220;.<br \/>\nLo ha detto: Tina Keng, fondatrice, Tina Keng Gallery, Taipei, Pechino<\/p>\n<p>&#8220;Abbiamo creato nuove relazioni con importanti istituzioni della regione, tra cui Singapore, Hong Kong, Australia, Taiwan e Giappone.<\/p>\n<p>Abbiamo anche approfondito i legami esistenti con le istituzioni con cui collaboriamo da alcuni anni e siamo fieri di sapere che molte delle opere vendute rimarranno in Asia, espandendo importanti collezioni. I nuovi collezionisti privati \u200b\u200bci hanno contattato e siamo desiderosi di sostenere e sviluppare le nostre relazioni con loro.<br \/>\n\u00c8 stato sorprendente vedere la variet\u00e0 e l&#8217;entusiasmo dei collezionisti asiatici.<br \/>\nJos\u00e9 Kuri, co-fondatore, kurimanzutto, Citt\u00e0 del Messico, New York.<\/p>\n<p><a href=\"https:\/\/www.donnecultura.eu\/?attachment_id=67377\" rel=\"attachment wp-att-67377\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-67377\" src=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-2019-Honk-Kong-700-exhibition_view_Neuer_Berliner_Kunstverein._photo_by_Alexandra_Pi.jpg\" alt=\"\" width=\"700\" height=\"196\" srcset=\"https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-2019-Honk-Kong-700-exhibition_view_Neuer_Berliner_Kunstverein._photo_by_Alexandra_Pi.jpg 700w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-2019-Honk-Kong-700-exhibition_view_Neuer_Berliner_Kunstverein._photo_by_Alexandra_Pi-300x84.jpg 300w, https:\/\/www.donnecultura.eu\/wp-content\/uploads\/2019\/03\/Art-Basel-2019-Honk-Kong-700-exhibition_view_Neuer_Berliner_Kunstverein._photo_by_Alexandra_Pi-650x182.jpg 650w\" sizes=\"(max-width: 700px) 100vw, 700px\" \/><\/a><\/p>\n<p>L&#8217;edizione 2019 ha visto la partecipazione di <strong><span style=\"color: #ff00ff;\">242 gallerie premier provenienti da 35 paesi<\/span><\/strong> e territori, con <strong>21 gallerie che hanno partecipato alla fiera per la prima volta<\/strong>, tra cui nove gallerie nel settore principale che hanno avuto grande influenza nella definizione delle scene d&#8217;arte in Europa e negli Stati Uniti, tra cui:<\/p>\n<p>Galerie Greta Meert dal Belgio; Galerie B\u00e4rbel Gr\u00e4sslin e Galerie Max Hetzler dalla Germania; Luhring Augustine, Matthew Marks Gallery, Paula Cooper Gallery, Regen Projects e Andrew Kreps Gallery degli Stati Uniti; e Richard Nagy Ltd. dal Regno Unito.<\/p>\n<p><strong>Otto gallerie dall&#8217;Asia si sono unite alla fiera per la prima volta<\/strong>, tra cui Watanuki Ltd. \/ Toki-no-Wasuremono di Tokyo; Beyond Gallery di Taipei; Galleria vuota da Hong Kong; Hunsand Space, Pifo Gallery e Tabula Rasa Gallery di Pechino; Richard Koh Fine Art con spazi a Kuala Lumpur, Bangkok e Singapore; e Nova Contemporary di Bangkok. La laurea di cinque gallerie della regione Asia-Pacifico nel settore principale ha rafforzato l&#8217;impegno della fiera per il rafforzamento della scena artistica della regione. Queste gallerie includevano la Beijing Art Now Gallery di Pechino, la Galerie du Monde di Hong Kong, la Gow Langsford Gallery di Auckland, i progetti ROH di Jakarta e Tang Contemporary Art con spazi a Pechino, Hong Kong e Bangkok. Molti osservatori hanno commentato la straordinaria qualit\u00e0 dell&#8217;arte esposta e le ambiziose presentazioni di gallerie dall&#8217;Est e dall&#8217;Ovest.<\/p>\n<p>::::::::::::::::::::::::::<\/p>\n<p><strong>SI DICE DI ART BASEL HONG KONG:<\/strong><\/p>\n<p>&#8220;Questo \u00e8 stato un altro anno importante per noi in fiera:<\/p>\n<p>ogni anno non vediamo l&#8217;ora che Art Basel attivi la nostra comunit\u00e0 artistica gi\u00e0 profondamente impegnata qui ad Hong Kong.<\/p>\n<p>I<strong>l mercato qui continua a prosperare e il panorama sempre pi\u00f9 globalizzato della citt\u00e0 ci consente di promuovere scambi interculturali in modi molto significativi.<\/strong><\/p>\n<p>\u00c8 stato meraviglioso vedere una risposta cos\u00ec forte agli artisti nel nostro stand da collezionisti con sede a Hong Kong e regionali cos\u00ec come visitatori da tutto il mondo. &#8221;<br \/>\nPearl Lam, proprietario, Pearl Lam Galleries, Hong Kong, Shanghai, Singapore<\/p>\n<p>&#8220;Abbiamo avuto una settimana equa molto positiva, con forti vendite e interesse per molti dei nostri artisti, sia asiatici che occidentali. Abbiamo recentemente assistito a un cambio di direzione del mercato dell&#8217;arte, sempre pi\u00f9 orientato verso est. Un certo numero di collezionisti americani che conosciamo hanno deciso di prendere il lungo volo per Hong Kong quest&#8217;anno, molti per la prima volta, dando priorit\u00e0 a Hong Kong<br \/>\naltre fiere occidentali. Abbiamo incontrato molti nuovi collezionisti e venduto pezzi significativi alle istituzioni locali &#8220;.<br \/>\nAlex Logsdail, Direttore Internazionale, Lisson Gallery, Londra, New York, Shanghai.<\/p>\n<p>&nbsp;<\/p>\n<p>Adeline Ooi, direttore Asia, Art Basel, ha commentato:<\/p>\n<p><strong>&#8220;Art Basel Hong Kong \u00e8 una piattaforma davvero globale in Asia per le gallerie e i loro artisti. La fiera crea un ponte tra l&#8217;Asia e l&#8217;Occidente, come dimostra l&#8217;impressionante line-up di gallerie provenienti da Europa e Stati Uniti.<\/strong><\/p>\n<p>Inoltre, sono rimasto colpito dall&#8217;impegno mirato delle nostre gallerie asiatiche, che attraverso i loro programmi hanno offerto spunti interessanti sulle storie ricche della regione. Con presentazioni di personaggi influenti provenienti da diverse scene d&#8217;arte locali, questo spettacolo offre un&#8217;opportunit\u00e0 unica per molte scoperte. &#8221;<\/p>\n<p>Le gallerie che hanno partecipato allo spettacolo hanno parlato molto delle loro esperienze e partecipazione:<\/p>\n<p><strong>&#8216;Art Basel Hong Kong continua ad essere una fiera chiave per le gallerie di tutto il mondo.<\/strong> Ci\u00f2 che ha colpito quest&#8217;anno \u00e8 stata la forte presenza di direttori di musei, curatori e collezionisti provenienti da posti come Indonesia, Tailandia, Giappone, Singapore e Corea. La fiera, pur operando a Hong Kong, offre anche ai visitatori l&#8217;opportunit\u00e0 di effettuare visite preziose in altre citt\u00e0 della regione prima o dopo la fiera. Sembra la connessione di una regione piuttosto che una singola fiera in una singola citt\u00e0. Allo stesso tempo, la citt\u00e0 di Hong Kong sembra essere in continua espansione nella propria presenza culturale. La crescita di musei e fondazioni che presentano esposizioni eccellenti a fianco della fiera offre un&#8217;esperienza ricca per i visitatori che arrivano ad Hong Kong, e la crescente galleria locale nel distretto di Aberdeen \u00e8 un&#8217;indicazione di un&#8217;attivit\u00e0 solida e autentica. &#8221;<br \/>\nSadie Coles, proprietario, Sadie Coles HQ, Londra<br \/>\n&#8220;Abbiamo avuto una sorprendente risposta ai dipinti laccati vietnamiti di Phi Phi Oanh. Era la nostra prima volta che presentavamo il suo lavoro ad Hong Kong, e siamo cos\u00ec contenti di aver risuonato cos\u00ec bene con una folla cos\u00ec diversa. Tutti i lavori tranne uno sono stati venduti a nuovi collezionisti. &#8220;Stephanie Fong, fondatrice e direttrice della Galleria Fost di Singapore<\/p>\n<p style=\"text-align: justify;\">&#8220;<strong>Sono rimasto stupito da come le persone osservano attentamente le opere di Egon Schiele nel nostro stand e come discutono i lavori per un tempo considerevole.<\/strong> Questo non \u00e8 qualcosa che ho visto prima alle fiere d&#8217;arte in Europa o negli Stati Uniti. \u00c8 cos\u00ec piacevole vedere persone entusiaste di avere l&#8217;opportunit\u00e0 di vedere qualcosa di speciale. Ci sono anche molti giovani che sono cos\u00ec intenti a voler imparare, il che \u00e8 davvero grandioso. <strong><span style=\"color: #ff00ff;\">\u00c8 una rivelazione. &#8220;Richard Nagy, proprietario, Richard Nagy Ltd., Londra.<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\">&#8220;Abbiamo avuto una prima partecipazione di grande successo ad Art Basel, dove abbiamo presentato opere dell<strong>&#8216;artista birmano Moe Satt, e siamo lieti della meravigliosa risposta di istituzioni e collezionisti<\/strong>. Siamo una galleria giovane, e Art Basel \u00e8 una grande piattaforma per noi per presentare artisti del sud-est asiatico ad un pubblico internazionale &#8216;.<br \/>\nSutima Sucharitakul, fondatrice e direttrice, <strong>Nova Contemporary, Bangkok<\/strong><\/p>\n<p style=\"text-align: justify;\">&#8220;Abbiamo partecipato ad Art Basel Hong Kong sin dalla prima versione e siamo stati cos\u00ec contenti di come <strong>la fiera \u00e8 cresciuta e si \u00e8 evoluta, in termini di qualit\u00e0 e diversit\u00e0 dei collezionisti.<\/strong> Quest&#8217;anno abbiamo collocato opere di John Armleder, DeWain Valentine, Nathaniel Mary Quinn, Tom Wesselmann, Ha Chong-Hyun, G\u00fcnther Forg, George Condo e altro ancora, in collezioni prevalentemente asiatiche &#8211; con oltre l&#8217;80% degli acquirenti provenienti dalla Cina &#8211; che \u00e8 particolarmente importante per noi, come abbiamo appena annunciato che apriremo un nuovo spazio a Shanghai entro la fine dell&#8217;anno. &#8221;<br \/>\n<strong><span style=\"color: #ff00ff;\">Almine Rech, proprietario, Almine Rech Gallery, Bruxelles, Parigi, Londra, New York.<\/span><\/strong><\/p>\n<pre id=\"tw-target-text\" class=\"tw-data-text tw-ta tw-text-small\" dir=\"ltr\" data-placeholder=\"Traduzione\" data-fulltext=\"\">::::::::::::::::::::::::::::::::::::::\r\n\r\n<strong><span style=\"color: #ff00ff;\">ENGLISH VERSION<\/span><\/strong><\/pre>\n<p>At Art Basel Hong Kong, excellent gallery presentations provided a uniquely global overview of the artworld, attracting collectors from across the globe<br \/>\n\u2022 Art Basel Hong Kong closed today, amid reports of strong sales across all regions and all levels of the market.<br \/>\n\u2022 21 galleries participated in the fair for the first time, with nine premier galleries from the United States and Europe joining the main sector of the show for the first time.<br \/>\n\u2022 Strengthening Asia&#8217;s position in the fair, five galleries from the Asia-Pacific region graduated into the main sector of the show.<br \/>\n\u2022 The fair, whose Lead Partner is UBS, had a record attendance of 88,000.<br \/>\nThe highly anticipated seventh edition of Art Basel in Hong Kong closed on Sunday, March 31, 2019, having brought together collectors from over 70 countries and territories, notably from Hong Kong, Mainland China, South Korea, Taiwan, and the United States, resulting in strong sales for galleries from all market sectors. During the five show days, private collectors as well as representatives from over 130 leading international museums and institutions attended the show, including: Art Gallery of New South Wales, Sydney; M+, Hong Kong; National Gallery of Zimbabwe; The National Museum of Modern Art, Tokyo; National Museum of Modern and Contemporary Art, Korea; P\u00e9rez Art Museum Miami; Rockbund Art Museum, Shanghai; Royal Academy of Arts, London; Serpentine Galleries, London; Solomon R. Guggenheim Foundation, New York; Stedelijk Museum, Amsterdam; Tate, London; Ullens Center for Contemporary Art, Beijing; and Vancouver Art Gallery. With numerous events taking place throughout the city, the Art Basel week once again directed an international spotlight onto Hong Kong\u2019s ever-more vibrant art scene, including Tai Kwun, the new center for heritage and arts, designed by Herzog &amp; de Meuron.<\/p>\n<p><span style=\"font-size: 1.0625rem;\">The 2019 edition featured 242 premier galleries from 35 countries and territories, with 21 galleries participating in the show for the first time \u2013 among them nine galleries in the main sector that have been highly influential in defining the art scenes in Europe and the United States, including: Galerie Greta Meert from Belgium; Galerie B\u00e4rbel Gr\u00e4sslin and Galerie Max Hetzler from Germany; Luhring Augustine, Matthew Marks Gallery, Paula Cooper Gallery, Regen Projects, and Andrew Kreps Gallery from the United States; and Richard Nagy Ltd. from the United Kingdom.<\/span><\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Eight galleries from Asia joined the fair for the first time, including Watanuki Ltd. \/ Toki-no- Wasuremono from Tokyo; Beyond Gallery from Taipei; Empty Gallery from Hong Kong; Hunsand Space, Pifo Gallery, and Tabula Rasa Gallery from Beijing; Richard Koh Fine Art with spaces in Kuala Lumpur, Bangkok, and Singapore; and Nova Contemporary from Bangkok. The graduation of five galleries from the Asia-Pacific region into the main sector reinforced the fair\u2019s commitment to the strengthening of the region\u2019s art scene. These galleries included Beijing Art Now Gallery from Beijing, Galerie du Monde from Hong Kong, Gow Langsford Gallery from Auckland, ROH Projects from Jakarta, and Tang Contemporary Art with spaces in Beijing, Hong Kong, and Bangkok. Many observers commented on the outstanding quality of art on display and the ambitious presentations by galleries from the East and the West alike.<\/p>\n<div class=\"page\" title=\"Page 2\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Adeline Ooi, Director Asia, Art Basel, commented: &#8216;Art Basel Hong Kong is a truly global platform in Asia for galleries and their artists. The show creates a bridge between Asia and the West, as evident in the impressive line-up of galleries from Europe and the United States. Moreover, I was struck by the focused engagement of our Asian galleries, who through their programs offered compelling insights into the region\u2019s rich histories. With presentations by influential figures from across many local art scenes, this show provides a unique opportunity for many discoveries.\u2019<\/p>\n<p>Galleries who participated in the show spoke highly of their experiences and participation:<\/p>\n<p>\u2018Art Basel Hong Kong continues to be a key fair for galleries from all over the world. What was striking this year was the strong presence of museum directors, curators, and collectors from places like Indonesia, Thailand, Japan, Singapore, and Korea. The fair, whilst operating in Hong Kong, is also providing an opportunity for visitors to make valuable visits to other cities in the region prior to or after the fair. It feels like the connecting of a region rather than a single fair in a single city. At the same time, the city of Hong Kong seems to be ever- expanding in its own cultural presence. The growth of museums and foundations presenting excellent exhibitions alongside the fair is providing a rich experience for visitors coming to Hong Kong, and the expanding local gallery scene in the Aberdeen district is an indication of robust and authentic activity.\u2019<br \/>\nSadie Coles, Owner, Sadie Coles HQ, London<\/p>\n<p>\u2018We have had an amazing response to Phi Phi Oanh\u2019s Vietnamese lacquer paintings. It was our first time presenting her work in Hong Kong, and we are so pleased that they resonated so well with such a diverse crowd. All but one of the works were sold to collectors new to us.\u2019 Stephanie Fong, Founder and Director, Fost Gallery, Singapore<\/p>\n<p>\u2018The fair this year was fantastic and surpassed past years. It is the most important art event in Asia, even more significant than biennales. Art Basel Hong Kong is not only a platform for commercial activities but also academic discourse. We have established relationships with new collectors, even a few who are first-time collectors. This year, we presented Chiang Yomei\u2019s works at the fair for the first time \u2013 the response was tremendous, and all the works sold.\u2019<\/p>\n<p>Tina Keng, Founder, Tina Keng Gallery, Taipei, Beijing<\/p>\n<p>&#8216;We built new relationships with important institutions in the region, including from Singapore, Hong Kong, Australia, Taiwan and Japan. We also deepened existing ties with institutions that we have been working with for some years and are proud to know that many of the works sold will be remaining in Asia, expanding important collections. New private collectors have approached us, and we are keen to sustain and develop our relationships with them.<\/p>\n<p>It has been surprising to see the variety and enthusiasm of Asian collectors.<\/p>\n<p>Jos\u00e9 Kuri, Co-Founder, kurimanzutto, Mexico City, New York<\/p>\n<p style=\"text-align: justify;\">\u2018This has been another important year for us at the fair \u2013 every year we look forward to Art Basel activating our already deeply engaged artistic community here in Hong Kong. The market here continues to thrive, and the city\u2019s increasingly globalized landscape allows us to promote cross-cultural exchange in very meaningful ways. It was wonderful to see such a strong response to the artists in our booth from Hong Kong-based and regionally based collectors as well as visitors from around the world.\u2019<br \/>\nPearl Lam, Owner, Pearl Lam Galleries, Hong Kong, Shanghai, Singapore<br \/>\n\u2018We have had a very positive fair week, with strong sales and interest in many of our artists, both Asian and Western. We have seen a change in direction of the art market recently, increasingly being pulled eastward. A number of American collectors we know opted to take the long flight to Hong Kong this year, many for the first time, prioritizing Hong Kong over<br \/>\nother western fairs. We met lots of new collectors and sold significant pieces to local institutions.\u2019<br \/>\nAlex Logsdail, International Director, Lisson Gallery, London, New York, Shanghai.<\/p>\n<p style=\"text-align: justify;\">\u2018I have been amazed by how intently people look at the works by Egon Schiele in our booth, and how they discuss the works for a considerable amount of time. This is not something I have seen before at art fairs in Europe or the United States. It\u2019s so refreshing to see people who are excited to have the opportunity to see something special. There are also many young people who are so intent on wanting to learn, which is really great. It\u2019s a revelation.\u2019 Richard Nagy, Owner, Richard Nagy Ltd., London<br \/>\n\u2018We had a very successful first-time participation at Art Basel, where we presented works by Burmese artist Moe Satt, and are delighted by the wonderful response from institutions and collectors. We are a young gallery, and Art Basel is a great platform for us to introduce Southeast Asian artists to an international audience.\u2019<br \/>\nSutima Sucharitakul, Founder and Director, Nova Contemporary, Bangkok<br \/>\n\u2018We have been participating in Art Basel Hong Kong since the very first iteration, and we have been so pleased with how the fair has grown and evolved, in terms of the quality and diversity of collectors. This year we placed works by John Armleder, DeWain Valentine, Nathaniel Mary Quinn, Tom Wesselmann, Ha Chong-Hyun, G\u00fcnther Forg, George Condo, and more, in predominantly Asian collections \u2013 with more than 80% of the buyers coming from China \u2013 which is particularly important for us, as we have just announced that we will be opening a new space in Shanghai later this year.\u2019<br \/>\nAlmine Rech, Owner, Almine Rech Gallery, Brussels, Paris, London, New York<br \/>\n\u2018This year\u2019s edition has been among the most successful we have taken part in. It has been bolstered by the presence of our gallery here for over a year: this has helped us to reinforce our relationships with clients and audiences in the region. We received a phenomenal response to the stunning works presented by our featured artist Carol Bove, who has also been with us in Hong Kong. In addition, the Neo Rauch exhibition at our gallery space has proved hugely successful, part of which can be attributed to his earlier appearance as our featured artist at Art Basel in Hong Kong 2015.\u2019<br \/>\nDavid Zwirner, Founder, David Zwirner, London, New York, Hong Kong<br \/>\nFor further quotes, please click here.<br \/>\nGalleries<br \/>\nThe main sector of the show featured 196 of the world\u2019s leading galleries presenting the highest quality of painting, sculpture, drawings, installation, photography, video, and digital works. For the full gallery list for Galleries, please visit artbasel.com\/hongkong\/galleries.<br \/>\nInsights<br \/>\nThe unique sector featured 21 presentations, each spotlighting one or two artists from Asia and the Asia-Pacific region. Highlights included Ei-Q at Watanuki Ltd. \/ Toki-no- Wasuremono, Li Shan at Don Gallery, Tishan Hsu at Empty Gallery, Keiichi Tahara at Yoshiaki Inoue Gallery, and Zarina at Gallery Espace. For the full gallery list for Insights, please visit artbasel.com\/hongkong\/insights.<br \/>\nDiscoveries<br \/>\nFocused on solo exhibitions by emerging artists, Discoveries this year featured 25 galleries. Three artists in the sector \u2013 Lu Yang at Soci\u00e9t\u00e9, Shen Xin at Madeln Gallery, and Clarissa Tossin at Commonwealth and Council \u2013 were shortlisted during the fair for the eighth BMW Art Journey, with the winner being announced in early summer 2019. For the full gallery list for Discoveries, please visit artbasel.com\/hongkong\/discoveries.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&#8221; Art Basel Hong Kong continua ad essere una fiera chiave per le gallerie di tutto il mondo &#8230;&#8221; ART BASEL HONG KONG 2019 si<\/p>\n","protected":false},"author":1,"featured_media":67378,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1916,15,2730],"tags":[17196],"_links":{"self":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/67372"}],"collection":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=67372"}],"version-history":[{"count":4,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/67372\/revisions"}],"predecessor-version":[{"id":67381,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/posts\/67372\/revisions\/67381"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=\/wp\/v2\/media\/67378"}],"wp:attachment":[{"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=67372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=67372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.donnecultura.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=67372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}